MAISON DU SOLEIL

A sanctuary of luxury and tranquillity, this beautifully reinvented estate offers breathtaking river views, refined interiors and effortless indoor–outdoor living.

WORDS JO FERRIS

Nestled down a sweeping driveway, overlooking the Wairoa River and hills beyond, this commanding position basks in one of Tauranga’s prized areas. The tranquillity is bliss — sounds of nature for company and grazing for horses or livestock; where friends can enjoy privacy in luxury surroundings; river views always in sight and a reserve to walk the dog with the children near the river below.

Mindful of respecting the home’s original calibre, these owners wove an extraordinary tapestry and warm embrace into its renovation. Exquisite marble tiling and mosaic flooring in bathrooms set the foundation for what now exists. Everything else is new; detail with soft sophistication — underpinned by undeniable expense.

A grand foyer introduces a sweeping stairwell and step-down entries to both the lounge and heart of the home. The soft backdrop is personalised with accents that define each room — plush drapes, Sante Fe shutters and bespoke lighting all statement features. The gourmet kitchen is a star — the emotional and functional heartbeat of family life. Showcasing bespoke American Oak cabinetry and Abu Dhabi porcelain benchtops, oak flooring throughout this living area maintains continuity with the home’s greeting. This is where entertainment begins; before relaxing around the fireplace or stepping into the lounge for a more intimate ambience.

Unquestionable quality throughout highlights the diligence in reinventing this home.

A romantic master suite enjoys privacy downstairs, leaving three bedrooms and luxury bathroom upstairs for family and friends. Skilful interior design instils tender moods; refined in an understated manner, yet revolving around family, relaxation and entertaining. Crowds have cherished gatherings here; ample room to congregate — inside and out. Gazing over the valley, watching rowers on the Wairoa River; or lounging around the solar-heated pool, wafts of the Mediterranean float in the air.

Surprises abound everywhere, from the impressive laundry, incredible storage to a well-positioned office. Nothing beats the sheer awe of the cinema, however. Soundproofed, dark and moody — with a full-wall screen — this is the secret jewel of a residence that continually astounds. Stroll the promenade to the guest house and more surprises await. Fully selfcontained, with its own driveway entrance; this is highly successful guest accommodation — and could continue to be. Choice is the key.

Perfect now, the expanse of land and shedding invites another chapter in this home’s story. Instilling artistry in the five years these owners have lived here, a new project calls out of town. They leave behind a legacy of love and reverence — and an invitation to a wonderful lifestyle.

58 Miles Lane, Tauriko OLIVERROAD.COM

CROWD PLEASERS

The Bay of Plenty is rapidly becoming a hotspot for events. Karl Puschmann talks to the key people behind some of the Bay’s biggest events to get a behind-the-scenes look at what it takes to bring these events to life, their cultural and economic impact, and discover if this is just the beginning. PHOTOS ROBBIE HUNTER | HAIR + MAKE-UP DESIREE OSTERMAN

Toby Burrows and Mitch Lowe

I’m standing in the heart of Mount Maunganui’s industrial area, in front of a large warehouse, wondering if I’m in the right place. This unlikely, unglamorous spot is where some of the Bay of Plenty’s biggest events are dreamed up, organised and, if all goes to plan, brought to life. I’ve come to talk to Mitch Lowe and Toby Burrows, the two chaps behind the summer’s history-making Fisher concert at the Bay Oval, about the resurgence of events in the Bay of Plenty, what goes into staging them, and the impact, both economically and culturally, that they have on our region.

But first, I need to find the front door.

I walk down the long driveway, and past the side of the building, whose sliding doors have been pulled open on this bright, hot day, affording me a view of the welders inside who are hard at work behind a shower of bright sparks. It’s a far cry from the triumphant firework display that lit up the sky to bring the Fisher concert to a close.

Near the end of the building, there’s a door. I poke my head inside and see a wall covered in framed concert posters, and a top-of-the-range Pioneer DJ set-up in a booth to my left. This is more like what I was expecting. What I don’t see is people.

“Hello?” I offer, walking inside and knocking on the wood of the DJ booth. Toby bounds down the stairs to greet me.

“Hey mate,” he says, shaking my hand. “Can I get you a Red Bull?”

Energy drinks in hand, he leads me up the stairs and into a boardroom, which is also decorated with framed posters, and where Mitch is sitting in front of a laptop, which he closes as we walk in. It’s here, from this office, tacked onto the back of an industrial factory, that the pair plan out over 150 events a year around Aotearoa.

“The Bay’s always been a priority for us,” Mitch says. “Because we’re local, we’re going to push as much as we can into the Bay. It's a really exciting time.”

“The summer’s been pretty busy,” Toby adds.

That feels like something of an understatement. After a barren few years following the COVID pandemic, there’s been an unignorable resurgence of events happening here in the Bay recently. Coupled with the freshly rejuvenated city centre, the upswing in trendy cafés, bars and restaurants popping up and the ongoing suburban growth down the Pāpāmoa coastline, it’s beginning to feel like the region is shedding its old, and somewhat unfair, reputation as a haven for oldies and gaining a name for itself as a spot where there’s always something happening.

“When I moved to Tauranga a decade ago, people used to go, ‘Oh, it’s a retirement village,’” Mitch laughs. “That used to be the general feeling before we started doing big events here and trying to bring a bit of life to it. Now, I know tons of people who have moved here. They think of Tauranga as one of the event capitals of New Zealand. It’s cool to be a part of that.”

The pair have spent decades working in the events industry — Toby for 23 years and Mitch for 16. Before joining forces, Toby was heavily involved in Gisborne’s New Year’s Eve festival, Rhythm & Vines, while Mitch built his career touring DJs and electronic acts and running club nights. Around a decade ago, Mitch moved to the Bay to launch the single-day music festival Bay Dreams, which debuted in 2016 and ran each summer until it was officially placed on hiatus last year.

The pair knew each other from the industry, and decided to work together on the legacy rocker Bryan Adams’ 2019 Aotearoa tour, which took in Auckland, Wellington, Nelson and Christchurch. This was a significant success, leading the partnership to continue and become more formalised, with Toby moving from his home in “Gizzee” to come to the Mount a year or so later.

“I did a lot of humming and hah-ing about it, but committed to the decision. Now I look back and wonder what I was humming and hah-ing about,” Toby laughs. “It has the beaches and the lifestyle, and geographically it’s sort of in the middle of everywhere. It ticked all the boxes.”

“We love it,” Mitch says. “We’re both raising our families here, which is a good indication of our passion for the place.”

The success of Bryan Adams had shown them there was a gap in the market for legacy artists, so the pair naturally doubled down, bringing over legendary acts like Toto, The Jackson 5 and Snoop Dogg, while also creating one-day festivals targeted at different music genres and audiences, like Rock the Bowl, Le Currents and, of course, Bay Dreams. Most did well. But, the pair admit, not all.

“The funniest one was when I asked my dad’ s opinion on a legacy act,” Mitch recalls. He said, ‘Oh, that’s a guaranteed sell. Absolutely. No question’. We booked it, promoted it, went on sale… and it flopped.” Jokingly, he says, “Dad doesn’t get free tickets anymore.”

But that’s the nature of the events biz, he says. Every show is a gamble that could literally see you losing your house. Something, the pair say, has almost happened more than once over the years.

But that was when they were younger, more naive and excited. But there were some growing pains, and Mitch says they had to learn how to run their business properly.

“We’re not taking stupid risks anymore,” Mitch says. “We’ve learnt how to take calculated risks. Now, when we go into things, I’m confident that we’re either going to win or we’re going to lose an amount that we can handle.”

“We manage risk in a way that doesn’t feel too risky,” Toby says, noting that while their gut feeling still plays a role, they also have a stringent process of running the numbers and looking at specific artist metrics that have to add up before they decide to go ahead with an event. “We’re not risking everything if it doesn’t work anymore. Initially, I was brazen and not afraid to lose everything I had, because I had nothing. As I’ve gotten older, you know, I don’t want to lose everything. We say ‘No’ to a lot of things that come to our desk.

It’s got to fit within certain metrics to make sense.”

Which brings us to Fisher. If there was a single moment that announced the Bay’s arrival on the national stage, it was that summer concert at Bay Oval — the first-ever music event held at the iconic stadium. In hindsight, it seems like a guaranteed success. But at the time, it was a bold gamble. And while their homes weren’t literally on the line, a flop would have set their business back years.

They’d invested half a decade securing Bay Oval and were determined to headline the first show with a global name. Still, having toured Fisher the previous year, they worried it might be too soon to bring him back.

“We thought if we brought him to the Mount in the middle of summer, put him on at Bay Oval with the right line-up around him, and marketed it properly, it would work,” Toby says. “We’re entrepreneurs at heart. We’ve lived with risk for so long that we’ve learned to thrive under that pressure.”

Adds Mitch: “We’ve done massive things here in the past, like Bay Dreams, but to promise one of the biggest acts in the world that they could come to this little region and still do the same numbers that they do in Auckland or Christchurch was pretty ballsy. It paid off.

“We were doubting ourselves right up until that moment we went on sale,” Mitch grins. “Within five minutes, we were like, ‘Okay, we’re good.”

“Fisher was a proof of concept. We wanted to show what was possible,” Toby says. “The goal was to prove that the Bay could deliver numbers and production values comparable to the big cities.”

It certainly did. Over 20,000 punters packed into the Oval for the show. But it wasn’t all locals. More than 82 percent of the punters who attended were from out of town, truly making the Mount the hottest place to be in the whole country that weekend.

Tauranga mayor Mahe Drysdale describes the Fisher concert as an “amazing success for our city”.

“It worked really well,” he tells me. “The feedback we’ve had is that it was an awesome venue, and there’s an opportunity there to grow. Bay Oval is a real jewel in our crown. We’ve had some really great cricket events over the summer, which is what it’s set up for, but we’ve said to Bay Oval, we really want to see more music acts and other events there.”

The one-two punch of Fisher, followed a week later by the UB40 with Ali Campbell concert, has proved the Oval works as a “legitimate venue”. Mahe says promoters can now have confidence that the Bay can successfully pull off these sorts of big events.

“Once one person’s done it, it opens up a whole lot more opportunities in the future,” he says. “We’ve identified events as being one of our priorities and one of our strategies to make this a better place. We want events here because of what they do for our region, for the accommodation providers, the local businesses, the hospo businesses, and for the sense of vibrancy that they attract. We can see the economic benefits of what events do for our city.”

He says the council is actively going out and finding ways to accomplish this strategy, pointing to the upcoming World Triathlon Series as an example.

“We’ve got three years of world-class athletes coming to our city to compete,” he says. “There are so many events out there that we can attract. We’re really excited.”

But what is it that’s attracting these events to the region? Why are organisers increasingly choosing to put on events here?

“The Bay is blessed with natural beauty. That’s certainly a big part of why it’s attractive,” he says. “A lot of people want to come here, so when events are on, people jump at the opportunity to come and enjoy the region. It’s a win-win,” he smiles.

“We can share our beautiful city, but also they help drive our economy. They have a significant economic and social benefit.”

One of the best examples of this economic and cultural coming together is the annual AIMS Games. The week-long multi-sport tournament brings together thousands of Year 7 and 8 students from across New Zealand and the Pacific to compete in 27 different sporting codes, generating a tangible excitement as well as some serious cash for the region.

“Last year we had just over 14,000 athletes from 431 schools,” Kelly Schischka, the AIMS Games tournament director, tells UNO. “They compete in sport, make new memories and new friends in f it-for-purpose sports venues across the region. That, for us, is what makes it work so well.”

Add in coaches, managers, officials and supporters, and that number jumps to 29,558, with a whopping 23,425 of those coming in from out of town. This one event alone generated a huge $9,751,958 of tourism expenditure in Tauranga.

“Economically, the AIMS Games makes a big contribution, but more so, it really builds that pride of being hosts. That’s incredibly important,” Kelly says. “You can’t stage an event without the support of the community, and we absolutely have that with the AIMS Games. We’re incredibly lucky.”

The event started here in 2004 and has steadily grown in popularity ever since. The week-long event now takes over 29 different venues around Tauranga and the Western Bay of Plenty.

“The AIMS Games have really helped shape Tauranga’s identity as an event city. There’s nothing quite like being in town when they’re on,” Kelly smiles. “There are 14,000 kids here for a week-long sleepover with their friends. The energy levels are incredibly high. It’s hard not to get caught up in that. It’s a really special thing to be a part of.”

Along with the AIMS Games, Kelly says there are many events that are now synonymous with Tauranga, making it a vibrant place to live, and encouraging people to visit. There’s the Tauranga Marathon, the Jazz Festival, the Arts Festival, the Flavours of Plenty food festival and the Mount Festival of Multisport, one of the country’s longest-running and most iconic triathlons, to name just a few.

“These are part of the fabric of Tauranga,” Kelly says. “We’ve proven ourselves to be able to host international sporting events and fantastic music events incredibly well. It’s great for those of us who live here to be a part of that, and it’s fantastic to be able to showcase our city to different types of visitors who are here for different types of events.”

Things may feel big now, but it really is just the beginning, as national and international events are increasingly attracted by the region’s stunning backdrop, infrastructure and proven ability to be welcoming hosts for major events.

“It’s an exciting time,” Toby enthuses. “We have agents and artists from all over the world wanting to come down and work with us. There’s a lot of exciting projects in the pipeline right across the country, including here in the Bay.”

“I agree,” Mitch nods. “I have the feeling now that I had when we launched Bay Dreams back in the day. It feels like the start of something big. We literally have the biggest acts in the world asking us to do cool things.”

After the triumph of Fisher, the pair are already working on next summer's show. They know Fisher's a tough act to follow. I cheekily ask who's on their radar and they both grin and say there's some exciting options on the table. Just before I leave, I mention that it's a great time to be living in the Bay.

"It's exciting," Mitch agrees. "And this is just the start."

BUILDING A LEGACY

CBC Construction has spent two decades shaping Tauranga’s skyline, earning respect not through fanfare, but through steady delivery and an unwavering commitment to doing things well.

WORDS PIP CROMBIE | PHOTOS SALINA GALVAN + SUPPLIED

From l-r: Drew Beekie, Peter Cooney and Matt Lagerberg.

How does a company achieve a gold standard reputation and stand out above others in a competitive, cost-driven, time-constricted market, one which demands quality, sustainability, longevity and capability with care? The commercial construction business demands all of the above and locally owned and operated Classic Builders Commercial Construction (known as CBC) have proven time and again they have the answers.

With over 220 completed commercial projects in the last 20 years that have contributed a $400 million turnover in the wider community, there is no doubt that CBC has made its’ mark on the landscapes and skylines of New Zealand. As they acknowledge two decades in the commercial construction business, it is without major fanfare and celebration.

Sitting with managing director, Drew Beekie, in the CBC Mount Maunganui office tucked away in the back of the industrial area, there is an overall atmosphere of ‘business as usual’ - projects coming to completion, others in development. That in itself is part of the essence of their success, getting the job done, keeping the customers happy - it has earned an immense amount of respect.

CBC’s knowledge and expertise in the construction industry are the overarching factor in their reputation for delivery of excellence in the commercial building sector. Their work spans compact retail spaces to multi-floor office complexes, industrial warehousing, dedicated health and education buildings, accommodation complexes, hospitality and more. From demolition of existing properties through to f itout, the 20 years CBC has spent in the commercial construction space has cemented their claim that integrity matters deeply to them, that conducting their business honestly and well, at every level, has maintained their impeccable reputation.

The story of how it all began is worth telling. Drew, a Scottish qualified quantity surveyor with 10 years of experience in London, and then Auckland, crossed paths with Peter Cooney when Drew relocated to the Bay of Plenty. It was 2005 and at that time Peter was managing director of residential construction company Classic Builders Ltd (now one of several entities under the Classic Group).

“I approached Peter to build a house for me when I moved to Tauranga,” Drew explains. “The timing was serendipitous. Classic was just beginning to dip its toe into the water with commercial builds, my area of expertise. During the house build, Matt (Lagerberg) and I got chatting about a commercial construction company and by the end of the house build, CBC came to fruition. We turned a three bedroom house on 15th Ave into an office.”

He muses over the changes technology has brought to how the business is operated today. “We used fax machines, typewritten letters, power cuts blew us out, I had my laptop stolen from the office and with no iCloud backup there wasn’t a lot you could do, but start again”.

The first project Drew was involved with was the iconic apartment and boat-stack complex at Sulphur Point, the Nautilus. The build was an Australasian first of its kind, allowing residents to steer their boats right into the garage below. The project was brought together by Peter and sealed by a handshake with the developer. From this first project, Drew, who was and still is “the do-er, the person who puts all the pieces together, to literally get the projects out of the ground”, initiated Classic Builders Commercial (CBC).

Trustpower.

Today, Drew heads CBC as managing director, accompanied by group directors, Matthew Lagerberg and Peter Cooney. Their combined building industry experience and sharp business acumen make them a formidable team, one that with the well-considered selection of project-management teams have seen multiple properties transformed from blank canvases into prime real estate.

Ibex

Further developments followed. The award-winning glass-panelled, louvred office development, 247 Cameron Road (the ANZ Business Centre), opened in 2012 and was deemed a trophy building for Tauranga, the largest commercial office development undertaken in the city for 35 years. CBC’s ability to secure blue chip tenants for the 10,000 m2, four-level build saw the project fly and has been a premise of other successful commercial projects. “We promised it would be ready on September 6, 2012, and that’s the day we handed over the keys,” Drew recalls.

Trustpower’s three-storied central city office, a slick design inside and out, was a two-year project and boasts a positive architectural feature of a redeveloping inner city. Exterior materials were chosen to balance performance, longevity and affordability with a large interior atrium connecting the three floors with a light-filled collaborative space. The building accommodates over 600 staff, and was a two-year, $25 million build. Like other big developments CBC have had, they’ve often had to overcome complexities of factors out of their hands.

“We’ve always had a big project on the go like the Trustpower head office during a recession, the GFC, some kind of world crisis, COVID...” Drew says. “These events have all in some way affected the state of construction today, the limitations. Comparing when we first began in 2006 to 2026, there’s been huge overall cost inflation in construction. Projects require more of everything to get them over the line, the processes and consenting hurdles are more complex and take more time. They’re not insurmountable, but post-COVID we’ve seen around 40 percent inflation in costs.”

Mount Golf Club Driving Range

There is an extensive suite of developments CBC are proud to have brought to fruition. On Tauranga’s city limits in the Tauriko business park are Cubro, SIMS Distribution, Penske, NZ Windows and the awardwinning IBEX lighting building, which brings a modern design aesthetic to what is essentially a warehouse space, with Grade A office facilities. Add to that New Shoots Childcare, Te Wananga O Aotearoa Campus, Fresh Choice Papamoa, Pearl Kitchen, Mount Golf Club Driving Range - the variety of projects is significant.

Mills Reef

Transforming the iconic art-deco-styled Mills Reef winery building into The Vines at Bethlehem Clubhouse, complete with interior fitout including an indoor pool and spa, auditorium, theatre, library, gym and resident spaces contributing to the lifestyle of residents of the associated residential village was a 14-month project. CBC also work within the medical space, with completed developments for the District Health Board, St John’s Operations Facility and others. A recent significant development is the Bay Radiology Building on 17th Avenue, a complex build that required the use of lead windows and three-foot thick concrete walls to contain radiation.

Bay Radiology

While CBC has left its footprint around New Zealand with ventures completed in Auckland and Queenstown, their developments are generally concentrated in the Bay of Plenty region. The current project, 2 Devonport Road, began with the demolition of the existing original downtown Tauranga high-rise. With a finish date of December 2026, it will open as the new location of Craig’s Investment Partners, with other tenants taking up two of the seven storeys.

Over the past 20 years, CBC has enjoyed working with clients more than once. “Our customers have good reason to return, we complete on time and on budget and meet every required quality standard. The way I see it, my name is on the line for every job. If there’s ever an issue, I’ll personally sort it out,” Drew explains.

From management of planning, architecture, construction delivery and after-build care, CBC works on the premise that no job is finished until the customer is content. What more can you ask for?

CBC'S AWARDS

New Shoots Kennedy Ridge – Waikato and Bay of Plenty Architecture Award 2020.

IBEX – Waikato and Bay of Plenty Architecture Award 2024.

Mills Reef/Vines Clubhouse – Award of Excellence in the Naylor Love Heritage and Adaptive Reuses Property Award category at the Property Industry Awards 2023.

TECT/The Kollective – Merit Award and Judge's Choice Award Property Council NZ Awards 2019.

Trustpower – Waikato/Bay of Plenty Architecture Awards 2016.

ANZ/247 Cameron Rd – NZIA Waikato Bay of Plenty Architecture Award 2013 and Award of Excellence in Property Council New Zealand (PCNZ) Property Industry Awards 2013.

CUBRO - 2016 Tauriko Business Estate Design Award and 2017 Waikato/Bay of Plenty Architecture Awards (Commercial Category)

CBCCONSTRUCTION.CO.NZ

A RARE PRIVILEGE

Every corner of this home tells a story, from entertaining spaces to private upstairs sanctuaries overlooking the valley.

WORDS JO FERRIS

Built 25 years ago as a single storey home where family could grow amid spacious grounds, these owners always knew they would add another level at some point to create a refuge for themselves.

Nestled amid seclusion overlooking the Wairoa Valley, it’s hard to believe this home’s age. It is timeless; a reflection of people who understand longevity and how time enhances a property’s elegance and esteem.

During the extension in 2011, the owners upgraded the kitchen/scullery and made one other change. Flooring in the family hub is recycled rimu, now cleverly stained dark to infuse a greater depth of character; more in tune with the styling of this home.

It is beautiful - elegant in its demeanour, yet firmly focused on family. From the heart of home and formal dining, living steps into a cosy vibe of the second lounge. Earthy tone and texture embrace like a favourite rug and the wood burner invites lingering evenings watching movies.

A swimming pool and sun-drenched patio outside entertain family and friends. Gatherings over the years have hosted upwards of 25 around tables at once, while a morning courtyard off the family hub has a more intimate ambience for few.

The original master bedroom is now an ensuite guest room. Two other bedrooms take their cue from the views outdoors - the garden from one; the pool for the other. With a luxury bathroom and powder room for all to share; another bedroom downstairs offers flexibility for a library office, though there is already a dedicated study here.

Upstairs is a glorious retreat. A five-star master suite overlooks the Wairoa Valley and river. Flowing through to a loft-style rumpus, a kitchenette with integrated fridge enhances this upstairs haven.

Add a bespoke, separate laundry and three-car garaging, including a high-stud section for the boat, this home is complete. Storage throughout is unbelievable - closets and alcoves everywhere - and that’s just inside. Outside there’s a garden shed for the mower and tools, covered storage for firewood, parking for the trailer - all this before you even begin to take in the garden. Colourful flower ribbons, raised beds for herbs and veggies, fruit trees to feast on, playground lawns and a corner for the hammock where tuis flock to feed on the kowhai.

A home that has kept on giving for one family, downsizing is the only reason these owners are leaving this cherished spot. As one of Tauranga’s best, River Oaks Drive is a rare privilege.

14 River Oaks Drive, Tauriko

OLIVERROAD.COM

MAKING FRIENDS

As the collection grows, Tauranga locals are already stepping inside the story of their new museum.

WORDS PIP CROMBIE

Museum Collection Tour

Steadily rising, the Tauranga Museum project, part of the Te Manawataki o Te Papa city centre redevelopment, is well underway and set to open in July 2028. Its steel frame is already complete, with mass timber components to follow, and the roof and external cladding will soon reveal the distinctive shape of Tauranga’s first central city museum. But while the building itself is taking form, the museum is already coming to life, and there are plenty of ways for the community to be part of it now.

Working from the Mount Maunganui Museum warehouses, museum director Greg McManus and his team are full steam ahead expanding staff, planning for the grand opening, securing loans of local taonga from around the world, and coordinating the two major exhibitions that will launch in the galleries. For McManus, the museum is already becoming an active part of Tauranga’s cultural landscape.

Museum Collection Tour

“We hold regular activities that engage the local community in what we already have on offer,” he says. “History walking tours, public art tours, educational programmes and collection tours that provide a snapshot of the more than 35,000 pieces of history in our care.”

Individuals and groups can sign up for these tours, with one proviso, that you must join the free Friends of Tauranga Museum membership to take part in the events. Once you subscribe, you’ll be joining a growing community of more than 1,420 members. And who couldn’t use a few more friends?

Art and History Tour

Membership also brings a quarterly newsletter to your inbox, featuring upcoming events, snippets of local and international museum news and trends, insights into artefacts that will eventually feature in the museum, and other information reserved for Friends. It’s not an exclusive club. In fact, it’s quite the opposite. The aim is to build a diverse community of museum supporters well before the doors officially open in 2028.

Paul Cuming’s photo competition entry

In September 2025, the museum launched the inaugural Tauranga in the Spring photography competition. Judged by award-winning local photographers Michal Pinkerton and Bob Tulloch, the competition attracted 48 entries in the under-18 category and 54 in the over-18 category.

“The quality of the entries was simply outstanding. We were so impressed,” says marketing and communications manager Nineke Metz. “We’ll be running the competition again this year with a new theme to be announced.”

Excellent prizes will be on offer, and the winning images will be shared publicly. If you’re over 16, sign up as a Friend of Tauranga Museum to be among the first to hear the competition details, and to gain a whole new perspective on what promises to be a rich cultural journey for Tauranga. LETSTALK.TAURANGA.GOVT.NZ/ PROJECTS/TAURANGA-MUSEUM

WINDS OF CHANGE

There’s an undeniable buzz building in the city. But how did Downtown Tauranga get its groove back? UNO goes in search of answers.

PHOTOS NICK NEWMAN + SALINA GALVAN + BEN PARKINSON @ PABLO CREATIVE

If you’ve visited Downtown Tauranga recently, perhaps to take the kids to the waterfront’s new destination playground, or grab a delicious bite from one of the many new cafes or eateries, or while away an hour or two in the stunning new Toi Tauranga Art Gallery, then you would have noticed that change is in the air.

Walking around, there’s a new buzz and vitality present. There are people and new shops opening everywhere you turn. As a local, it’s exciting to feel a vibe coming back to the downtown area.

Genevieve Whitson, general manager of Downtown Tauranga, says this shift has been gradual but unmistakable.

“It’s been a moving beast for a considerable period of time,” she explains. “It’s taken a lot of major stakeholders working with the businesses, and a variety of different organisations, including the local iwi, to get these developments up and running as part of this massive revitalisation. I would imagine that what the Tauranga City Centre is going through must right now be one of the biggest city centre activations happening across the country.”

The opening or near completion of major projects is really fuelling the sea change. Te Manawataki o Te Papa, the city’s new museum, is scheduled to open in 2028. The architecturally inspiring new library opens later this year. Panorama Towers and the Craig’s Investment Partners building continue to take shape. The large, mixed-use Northern Quarter development is now open and in full operation. These projects all add to the purposeful transformation that has been highly anticipated for years.

Since joining Downtown Tauranga in September 2023, Genevieve has been able to cross items off the city’s hypothetical ‘to do’ list.

“Every year I’ve seen more and more projects get ticked off. There are still more to go, but we’re starting to reap the rewards now.”

Along with the new developments, hospitality has also played a vital and visible part in bringing new energy to the streets. The formerly sleepy Grey Street is beginning to bustle with the arrival of Stassano Deli, which Genevieve credits with helping “zhuzh up the general atmosphere,” while at the other end of the street, The Clubhouse brings a unique experience, pairing a golf simulation and a bar setting.

“We haven’t had anything in the city centre before where you can go and play golf and then enjoy a drink,” she says. “That’s pretty cool.”

Alongside the eateries and bars, shops are coming back as well, many independently owned, giving the city a growing character.

“I think it’s going to have some niche stuff that you can’t get at a mall or sometimes anywhere else,” Genevieve enthuses. “Over the past four months, we’ve seen an increase in businesses choosing to move into the city centre.”

The injection of approximately 700 Tauranga City Council staff into the city centre last year has also supported weekday trade, adding a reliable base of customers for cafés and retailers.

Despite the complexity of construction and on-going change, the prevailing mood is shifting. “If we compare it to two years ago, it’s considerably better and if we compare it to a year ago, it’s definitely better,” she says. “There’s a sense of optimism building.”

The exciting part is that it’s only going to get better as more projects are completed, bringing people in with them.

Genevieve cites the new playground, a Tauranga City Council initiative, as one of the most significant contributors to the renewed energy, calling it “one of the best activations for the city centre.” It allowed families to plan whole days around a visit. With the updated Masonic Park, the waterfront swim access - complete with its popular Manu launchpad, and the Sauna Project, the area encourages people not just to visit, but to hang around.

She also mentions the Tauranga City Council and their 700 staff moving into their new building last May, as another key moment, as it brings increased foot traffic to hospitality and retail.

“The revitalisation of downtown has been a huge task. It takes time,” she explains. “Bringing that energy back is not something that you can change overnight. We've entered a marathon, not a sprint. Now we just have to be patient, because things are changing. We’ve not been without some teething problems, but things are moving in the right direction.” DOWNTOWNTAURANGA.CO.NZ

FRESH FOCUS

UNO editor Hayley Barnett discovers Cherrywood’s sweet spot, Fikâ.

Around 18 months ago, Shawn and Tracy Kenny took one look at a small Cherrywood neighbourhood bar and decided this must be the place.

Tracy had taken over the day-to-day running of their branding agency business and Shawn was returning to his roots in hospitality, where he first cut his teeth in his family’s Wellington venues.

They set about transforming Fikâ from what was once called Neighbourhood, giving it a fresh, more modern feel, and added a café. A year and a half on, the tidy yet unpretentious space is managing to retain its loyal customer base while drawing in a whole new, younger crowd.

“We’d recently bought an ice cream truck, named Fikâ, named by the former Swedish owner,” explains Shawn. “Fikâ is a Swedish word meaning to take time out and appreciate the good things in life. When I found out what it meant, it just made sense to use it for this space.”

Alongside being a haven for slowing down, Fikâ centres on supporting local and producing good food from quality New Zealand ingredients. Fresh fish arrives daily from East Rock in Gisborne, milk comes straight from the Volcanic Creamery in traditional pails, and the chef grows her own blueberries at Blueberry Hill Farm in Whakamārama. Local bakers Just Breads supply loaves that rival any classic sourdough, while all other baking is made in-house each day.

Shawn lights up when he talks about the craft behind every product that passes across his counter. If he can support small operators, he will, and if the team can make it in-house, they do.

“People really notice when it’s local,” Shawn says. “And they care.”

His team is another big part of what makes Fikâ stand out. Kylie Overton, who previously cooked for a high-end chef in the Lake District in England, returned to the kitchen after raising children. Shawn encouraged her to experiment, and she’s been shaping the flavours ever since. Rebecca Hunt joined shortly after, bringing her own creativity to the in-house baking. Between them, they fill the cabinet with a mix of traditional favourites and new flavours.

Under the new ownership, large-plate dinners have been replaced with shareable options that encourage guests to try a range of dishes without breaking the bank. Classic breakfast items come in small and large sizes; the Smashed Avo and Feta is a standout, and even the smaller serving is generous. The Chicken Bao Buns and Greek Salad with fresh fish are UNO favourites, and few can resist Fikâ’s famous savoury scroll when walking past.

“That’s a crowd favourite,” laughs Shawn.

Evenings bring approachable dishes, drinks, live music on Sundays, quiz nights, and themed events, keeping that neighbourhood energy alive.

Shawn’s simple intention of feeding people well, knowing them by name, and keeping everything as close to home as possible has paid off. The trick, he says, is to keep the focus steady.

“It’s important to be genuine and keep the doors open to everyone in the community,” he says. “That’s what it’s all about.”

FIKA.NZ

THE PINNACLE

This home – and its garden – prove dreams can come true; and earn national kudos along the way.

WORDS JO FERRIS

The journey began with a dream to move from living at the bottom of this hill to the top. As the peak site within an elite Welcome Bay estate, it was a constant lure – views from here the main drawcard; apart from the sheer expanse of the site itself.

That’s partly true. The home certainly exudes the magnificence of bygone history. Except for one key point. It was developed in 2009; designed, built and fashioned by an English couple with a vision to recreate American Victorian architecture.

Sun and scenery are headline stars, but this home captivates in ways that honour the vision behind it. The owners had the idea. Auckland architect, Cate Creemers brought it to life - her architectural skill underpinning the design. Like the personal art collection that features throughout, this residence is its own interpretation of artistic brilliance. Built by Tauranga’s Calley Homes, it was the regional supreme winner in 2022’s Registered Master Builders House of the Year, subsequently winning at national level.

Incorporating passive solar design principles, other sustainable attributes include a solar hot water system, warm roof system, along with thermal and acoustic insulation. Externally, Abodo Vulcan cladding is a New Zealand thermally-modified product. Inside, precast concrete panels anchor the home’s core, while enhancing its aesthetics. Timber also features strongly throughout.

Gated entry and an uphill driveway disguise the house initially. The greeting is a contemporary expression, but it’s not until the home unveils its soul that it tugs at the emotions. At around 475 sqm, the layered design sections this home into defined quarters. Family and guests have choice on bedrooms - and views for that matter. The master suite cherishes special seclusion, thanks to its magnificent view, but the bedroom above has a personal outdoor zone that elevates that perspective.

Gatherings gravitate towards the heart of the home - simple in its approach to intimacy and togetherness, yet characterised by the complexity of architectural nuance and building craftmanship. The astonishing panorama in front of this entire living area is heart-stopping. North-facing, it bathes in sun all day. Mauao stands majestically centre stage; views either side stretching from Papamoa to the Kaimais - right up to Coromandel. It is truly breathtaking.

Massive banks of floor-length glazing were the only response to frame its full extent, while 100sqm metres of wrap-around decking provides a seamless connection. Underlying the glazing’s aesthetics however, the sun’s warmth is harnessed, while exposed concrete flooring absorbs it. The open f ire in the ‘library corner’ is merely for mood; snuggled up with a book or watching TV once views fade into twilight and city lights twinkle.

A sunken lounge enhances its height as the raked sarked ceiling brings nature inside. Different timbers also instil texture throughout - from the lustre of Pacific cedar to the honeyed grain of American Oak. The contrast with concrete in key areas highlights how nature can harmonise with a man-made material - if done properly. With surround sound adding mood in the private cinema, this home was born to entertain. Elegant as the kitchen is, with its innovative scullery and unique finish, the outdoor lounge is a revelation. Moody in its dark tone and texture, one can be forgiven for thinking this is simply an outdoor fireside haven. Hiding discreetly behind what appears to be a corrugated iron feature wall however, is a significant barbecue kitchen. Genius. From here, the garden offers its own invitation. Stepping down to lawn, the landscape slopes to the swimming pool and spa before meandering amid a wonderland of trees, grasses and specimens. Completely hand planted by the owners - more than 3000 plants interweave another artistic interpretation that binds this home with the land and nature. Truly a masterpiece - with national kudos to match.

21 Estates Terrace, Welcome Bay OLIVERROAD.COM

INTO UNCHARTED WATERS

While making Aotearoa’s coastline and seabeds safer for all, Discovery Marine has also taken a novel and highly commendable approach to encouraging young people into the industry. Company CEO Declan Stubbing explains all to UNO.

PHOTOS KATIE COX + SUPPLIED

CEO Declan Stubbing and CCO Kevin Smith.

It’s hard to believe, but as a species, we’ve mapped the surfaces of the moon and Mars in higher resolution than much of our own seafloor. It’s estimated that around 75 percent of the world’s seabed remains a mystery.

But that is changing. Discovery Marine (DML), a company based in Mount Maunganui, is charting and surveying the seabed not just in Aotearoa, but also in Australia and the Pacific, in great detail, using high-definition 3D technology.

“There are a few uncharted areas remaining on the New Zealand coastline,” Declan Subbing says. “The Wairarapa coast is one area that is largely unsurveyed, and we currently have a team down in Moeraki, near Otago mapping an uncharted area.”

Declan is the CEO of DML, whose core business is hydrographic surveying and mapping the seafloor. To perform this technical and demanding work, their boats are equipped with state-of-the-art sonar systems that produce 3D data. This data accurately paints a picture of the seafloor, right down to the pebble.

“It essentially visualises the whole seabed,” Declan explains. “We’re able to make sure we’ve got every rock, every pebble, positioned and that everything is mapped accurately.”

This is important information for a range of industries. Part of their work is updating the nautical charts for the New Zealand Hydrographic Authority at Land Information New Zealand. These charts are relied upon by various seafaring businesses. There are some areas that were surveyed over 50 years ago using equipment that Declan describes as “similar to a fish finder”.

The team deploying hydrographic equipment in Western Australia.

“We’re tasked with surveying the high-risk areas where there's a lot of shipping traffic, using our modern 3D multi-beam echo sounders to update those charts,” Declan says. “There are changes to the coastline and rocks or other hazards that might have been missed. That does happen occasionally around New Zealand’s coastline.”

DML is also busy in and around our ports, monitoring the impact of dredging, tracking sandwaves which migrate up and down the harbour, and providing data that ensures critical clearance levels for the massive container ships that visit are maintained.

DML's work gives the ports more confidence on where and when it’s safe to navigate ships.

Sand waves mapped using 3D technology.

“We survey the harbour seabed in 3D, which gets turned into navigation products for pilots,” he adds.

Declan studied hydrography, the name given to the science of underwater surveying at University of Otago.

Shortly before graduating, Greg Cox, the founder of DML, got in touch with the School of Surveying to see if anyone there was interested in a job in hydrography. Declan was keen and became the company’s very first employee. The team now comprises 16.

Excavator lost at sea mapped using 3D technology.

DML faces a number of challenges when recruiting, because of the specialist skills required and graduates being lured overseas. Declan says they identified this as a “risk to the business growing” five years ago. To tackle the problem, they came up with an innovative solution.

“We thought ‘How are we going to be able to encourage people into hydrography?’” He says. “That’s how we came up with the concept of offering a scholarship at the School of Surveying at Otago University.”

With many of their current staff having attended the university, it was a solution that held great appeal.

“We’ve got a really strong connection there,” Declan smiles. “I really like the idea of being able to give back to the institution that gave me a lot.”

Their scholarship covers full course fees for a final year surveying student who is undertaking research connected to hydrography. It also offers them support with their research, an internship at DML, exposure to the industry and opportunities to attend conferences with the DML team. A true kick start into the industry.

Their commitment doesn’t stop there. Employees at DML are encouraged to continue developing and gain certification within the industry.

Early morning hydrographic survey operations.

“We really push the certification angle within our business. We like the idea that you’re always working towards something. It keeps people motivated and it’s great when someone’s awarded a new certification. It’s a real reason to celebrate because it's a recognition of the hard work they’ve put in.”

Just across the ditch, demand for certified hydrographic surveyors is exploding with the Government committing to a 10-year programme of nautical charting work, to which DML was appointed to a panel of suppliers.

He says it’s “enormously satisfying” work, and would encourage people to consider it as a career. “You see where your effort has gone. At the end of the day, you know you’ve contributed to improving coastal navigation and making our coastal communities safer.”

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Hydrographic surveying is Kate’s ticket to the world

SEA OF POSSIBILITIES

Kate Downes, senior hydrographic surveyor at DML, swaps land for ocean depths and discovers a world of adventure.

With her interest in maths and geography, Kate Downes had been drawn to surveying as a career. But when she learned about hydrographic surveying, her plans quickly changed.

“I went along to an open day at Otago University, where they talked about surveying and explained it. I was like, ‘Yep, this is definitely what I want to do’. Then they talked about hydrographic surveying specifically, which hadn’t been well-advertised, and my ears pricked up. It sounded exciting. My family had a boat, so I was familiar with the water. It was right up my alley.”

Realising hydrographic surveying could be a ticket to see the world, Kate dived in. Upon graduating, she moved to Perth to work for one of the biggest survey companies in the world. During her five-year stint, she learned as much as she could from those she worked with and “doubled down on travelling”. She’d be rostered offshore for six weeks at a time, and then have six weeks off to do whatever she wanted. Which was seeing the world.

Eventually, she decided she wanted to come back home and be closer to family.

Since joining DML, she has excelled and is one of only six women across Australasia to earn the highest level of certification in hydrography. Now, as a senior member of the DML team, she leads their major nautical charting projects for the New Zealand and Australian Governments.

“It’s always been about seeing new places. That’s one of the draw cards,” she smiles. “We’re in remote places, seeing cool things. We see whales offshore all the time. Stuff like that I’m really interested in.”

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Georgia is chasing her dreams without compromising her lifestyle.

MAKING WAVES

Charting hidden coastlines, Georgia Pendred, graduate hydrographic surveyor at DML, discovers adventure and a strong sense of purpose.

It’s a rare day off the boat for Georgia Pendred when UNO calls.

“At the moment, I’m in Dunedin, Moeraki specifically, for a big three-month-ish, maybe longer job we're doing,” she says. “We towed one of our biggest boats down from the Mount, and each day we head out and do our survey.”

It’s not a bad way to spend a summer’s day. Even today, the weather is “a bit stinky”, meaning the team is staying on land. The team rotates out every two weeks, so she’ll be on the water for another week before returning to the office for two weeks, creating the perfect field to office balance.

“Travelling is a big perk, and it’s really fun,” she enthuses. “You get to see some cool locations and remote spots that not many other people would see. Parts of the Moeraki coastline, for example, hasn't been charted before.”

A Tauranga native, Georgia grew up around the water. Her family had a little boat, and they’d go out to Matakana Island for a BBQ or go biscuiting on the lakes. Even still, she didn’t realise her career would see her oceanbound. Instead, her focus was on land.

“I wanted to do environmental management. I love the sustainability side of things and protecting our earth. That's what led me to a Bachelor of Surveying at Otago University,” she explains. “Hydrographic surveying popped up as a paper that you could take as an elective. The lecturer, Emily Tidey, an industry role model, was so passionate about it and really sold it to me. I realised it was still the environment and still looking after our planet. Only on water, not land.”

She took the paper and “fell in love” with the subject. After that, she focused all her energy on hydrographic surveying.

She says it’s an ideal career for people who love the outdoors, because “you’re doing fieldwork all the time.” It would also suit people who enjoy problem-solving, as things pop up every day that need troubleshooting.

As for surveying being a math-heavy career? Georgia is happy to bust that myth.

“I suck at math,” she laughs. “I dropped out in year 11. I love literacy, history, classics and all that stuff. When deciding to do surveying, I knew math was going to be a challenge.”

She says that while the degree does get math-heavy, if you’re determined, you can get through it.

“I put my mind to it, and put my head down. I asked a lot of questions, and because we’re a tight-knit group at the School of Surveying, I had a lot of support from my lecturers and classmates. If you’re motivated, definitely give it a go,” she says. “Don’t be afraid of surveying or scared off because everyone says that it’s math-heavy.

I managed to get through it, and actually came out the other end with the math papers being my highest subjects!”

While at university, Georgia was awarded the DML scholarship for her final year where she completed an Honors research project. This enabled her to gain insight into the industry and complete an internship before accepting a graduate role at DML.

She’s already taking advantage of the opportunities to progress towards certification. “I’m starting to chip away at that,” she says.

Talking with her, it’s clear how passionate she is about her work, and the impact it has on the environment. She’d love to see more women taking it up.

“There aren’t many women in surveying in general, and then it gets even more niche when you go into hydro,” she says. “But it’s definitely changing, and DML is representing that really well. It's really cool to know we’re part of a new generation that's changing things. I'd like to keep that going. DMLSURVEYS.CO.NZ

PLATES A PLENTY

In its most ambitious festival yet, Flavours of Plenty continues to champion the freshest and finest of the Bay. From daring flavour pairings to blind cocktail tastings, this year is shaping up to be a standout. WORDS SUE HOFFART

Coastal Bay of Plenty chefs are pushing culinary boundaries with such gusto, they have ensured the biggest Flavours of Plenty Festival yet. Festival director Rae Baker says this year’s eating extravaganza will bring almost 60 food events to the region, beginning in mid-April and running over 18 days. “It’s almost quadrupled in size since we started f ive years ago,” Rae says. “That’s partly because we have all these stunning food products and growers and producers here of course, but it’s our restaurants and cafes and chefs who have really driven the numbers up. So many of them have stepped aside from their everyday offerings and conjured all these exciting new ways to feed us.” Rae says festival events will include contests and workshops, food tours and market days. Some will happen in intriguing venues like a cinema or an art gallery, a community garden, a sculpture park or a marae. However, more than half will unfold inside established eateries and hospitality venues between Ōhope and Waihī Beach. “We just couldn’t do this without our heroic hospo people. Plenty of them have been through tough times in recent years and yet here they are with all this energy and enthusiasm, making edible magic for us.” She says restaurateurs have taken this year’s ‘pushing the palate’ theme to heart and devised experiences that challenge or thrill. Like the Sip Tease offering that invites diners on a blindfolded cocktail adventure in Tauriko. Or the Wings of Fire contest that teams spicy chicken wings with music and a tattoo artist who will create fiery designs.

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GNAM (YUM) CHA AT THE TRADING POST, PAENGAROA

An eight-dish yum cha-style lunch will carry diners from Taiwan to Tuscany.

Italian owner-chef Simone and his international kitchen crew have devised a menu that melds European flavours from his home country with Taiwanese and Singaporean flavours. If Eastern dumplings and Western ravioli had a love affair, it would taste like this, Simone says. He is also promising salads that flirt with spice and an experience that is “deliciously messy in the best way”.

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FINE DINING, DONE DIRTY AT SALTWATER, MOUNT MAUNGANUI

Oysters with attitude and cocktails with character are on the menu during this determinedly unpretentious seven-course lunch. High end food and top-shelf Eurovintage drops will be teamed with a “deliciously unfancy fine-dining vibe”. Palate-pushing? Yes. But also cheeky and playful; indulgence without the ego.

Saltwater restaurant will also host the festival’s madly popular Battle of the Snack competition, where hotshot chefs are paired with rising talent to create imaginative canapés. This one always sells out quickly.

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POLARISING PLATES WITH NEIL SAPITULA AT SOLERA, MOUNT MAUNGANUI

The restaurant’s award-winning former head chef Neil Sapitula is asking diners to be brave when he returns to Solera for one night only. Neil’s daring five-course dinner is built around his favourite polarising ingredients and techniques. No menu will be revealed until the end, and no dishes will be explained, encouraging diners to approach each plate without bias or expectation. Embrace the unexpected, he advises guests. Optional wine matches feature natural and minimal-intervention wines, equally bold in character. Solera is hosting two other events. A second five-course dinner, Melting Point, stars savoury ice cream in every dish. Shaken by the Sea, Stirred by the Land pairs cocktails with seafood.

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PLANTISSIMO AT GRATITUDE EATERY, MOUNT MAUNGANUI

Beloved for its delicious whole food menu and diverse dietary offerings, Gratitude is inviting guests to rethink the classic Italian feast. The usual kitchen team is handing over to Lombardy-born Stefano Raimondi, from Autentico, to offer a six-course vegan experience that will prove “flavour doesn’t need meat, cheese or wine to shine”. The plant-based, alcoholfree dinner will include handmade pasta though, and plenty of Italian-style warmth, generosity and soul. “It will make you rethink what’s truly essential for a happy table,” Stefano says.

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FIVE GO WILD WITH FOOD AT ST AMAND, DOWNTOWN TAURANGA

Five fabulous chefs will each take charge of a course to showcase both their signature style and the region’s best produce. The degustation dinner will also star items chosen from the festival’s Plates of Plenty Challenge box, which challenges eateries to utilise a selection of locally-made artisan products or produce. Naturally, each course will be matched with a small-batch New Zealand wine.

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FIVE BY FIFE AT FIFE LANE KITCHEN AND BAR, MOUNT MAUNGANUI

Five courses, each focussed on a single hero ingredient. Fife Lane will of course utilise the f ire-driven style that fills its tables every week but this event is especially intent on delivering bold flavour combinations, elegant presentation, and a dining experience that celebrates craftsmanship at every level. Seating is communal, creativity is a given.

The restaurant will also host guest speakers at a Fuelling Our Future lunch to fundraise for the Kura Kai charity that feeds families in need.

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NOSE TO TAIL BBQ FEAST AT THE SMOKIN' GOOSE, AWAKERI

A sociable long-table banquet featuring both premium and adventurous cuts of beef, from ox tongue and beef cheeks to osso buco and bone marrow. Expect bold BBQ flavours, nibbles on arrival, a three-course feast and a surprise dessert to push your palate. The rustic Western vibe spills over into live music and guests are invited to dust off their boots and dress to impress.

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SMOKE ON THE WATER AT FISHERMAN’S WHARF, ŌHOPE Gregarious chef Paul Patterson will start his event early, cranking up custom-made wood-fired barbecues from 8am. He will utilise local fruit trees and native wood to cook and smoke a selection of beef, venison and pork in front of his harbourside restaurant. Ticketholders will be able to watch the process during the day, then return in the evening for a four-course meal featuring big flavours, bourbon and blues music. Each course will be paired with either small batch bourbon or red wine. FLAVOURSOFPLENTYFESTIVAL.COM

A VISION OF ZEN

Purchased online from England by a couple heading home to the Bay after 26 years abroad, a bush-clad Ōmokoroa site became a home shaped by close collaboration, thoughtful design and a shared vision. WORDS PIP CROMBIE | PHOTOS AMANDA AITKEN

Buying property sight unseen is something we are familiar with in the Bay of Plenty, usually by international buyers who have access to extensive real-estate-supplied images and information. But for a New Zealand couple returning home after 26 years in England, the almost one-hectare Ōmokoroa section they discovered online had few details to recommend it. There was no exact address, limited imagery and little context. Yet something about the site appealed.

Tracey and John’s return to New Zealand was nudged along by Brexit and COVID. The couple both work from home for large pharmaceutical companies, so the move was about transferring home locations and a desire to spend more time with family. The 2020 lockdown prevented an in-person search, so John’s parents visited the site on their behalf, walking the land, carrying out the due diligence and sending through images. On the strength of this, the couple secured the property from abroad. Working remotely from England, Tracey and John began collaborating with Hannah Armstrong-Gardner of Studio H on the design of their new home. With Hannah and her husband Chris, who would later build the house through their company Gardo Group, living just 500 metres up the road, the project naturally became a close collaboration between the four. Through a series of video calls, the design gradually took shape, evolving into a fully documented consent set before the couple had even returned to New Zealand.

It wasn’t until 2022 that Tracey, John and their woolly-coated black pooch Nonu set foot on the site of their new home. The property is gently nestled at the bottom of a winding drive below an urban development, bordered by trees that ensure privacy from the nearby Ōmokoroa coastal cycleway, and has a small stream meandering through the boundary.

Fast forward to 2026 and the approach down that driveway halts me as I descend. The first impression is of a chic bush retreat. From above, the home is two distinct wings — one black, one white — juxtaposed against the lush clearing the dwelling sits within, surrounded by artfully curated native planting. There is a subtle Japanese influence to the design, and as I draw up to the front entrance, a long hardwood decked walkway draws me to the front door, bordered by its custom balustrade repeating a subtle architectural detail that appears throughout the home, protecting full-height openings on the upper level while reinforcing the project’s restrained material palette. To the left is the long, black Shou Sugi Ban charred timber clad wing, housing guest bedrooms, bathroom, office, kitchen and living, to the right is the white rendered plaster two-storey volume featuring two master bedrooms, large ensuite and dressing room, garage, storage and laundry space. Subtle circular water features set on river stone paths, suspended Japanese rain chains and a small red bridge spanning the stream and glimpsed through the feature window in the entrance, all set the scene for the interiors where tone and texture of materials come together in a magnificent blend of warmth, light and high-end luxury.

The 331m2 home was designed by Hannah ArmstrongGardner, of Studio H, a Tauranga-based design-led practice known for creating homes of quiet distinction. Hannah works closely with her clients from inception to completion, advising them early on that getting to know them well is a key part of her design process. “Where do you put your shoes and your bikes when you come home? What’s ‘your side’ of the basin? My design process is human-centric, not ‘Hannah-centric’," she explains.

Tracey and John arrived with a clear priority: warmth and comfort. Memories of cold New Zealand houses from earlier years abroad meant the thermal performance of their new home was paramount. Instead, the couple and their designer carefully considered the site’s microclimate, including existing tree cover and the natural topography of the driveway ridge. The main living wing therefore faces east, allowing soft morning light to enter the space while avoiding excessive summer heat. To maintain consistent indoor comfort, a hydronic underfloor heating and cooling system runs beneath the home’s light oak flooring, creating an even ambient temperature year-round. The timber floors extend throughout the house, softening the floor-to-ceiling tiling used within the bathrooms and reinforcing the calm material palette. Overhead, 2.7-metre ceilings allow light to move easily through the spaces while housing discreet mechanical systems.

Sustainability was also a key consideration. The property operates with a significant degree of independence through rainwater harvesting, solar generation and efficient systems, while the materials used throughout the home were selected with attention to origin.

The kitchen is dark and seamless, softened by wooden handles in keeping with the subtle Japanese aesthetic, the intentional use of empty space, calming, natural colours and product. With this in mind, the deliberate selection of the Dekton Laurent benchtop - an earthy chocolate shot through with streaks of natural golden hue - bring the whole space, including the offset scullery, together.

From the time the build was completed in March 2024, it has felt like a forever home for Tracey and John - peaceful, sleek, soft and something of a sanctuary. A retreat indeed. STUDIOHDESIGN.CO.NZ

FISHER? HOWZAT?!

The inside story on how a local promoter got Fisher, the world’s most in-demand DJ, to play the first-ever gig at the Mount’s iconic Bay Oval cricket ground.

WORDS KARL PUSCHMANN

For the past five years, TradeMark Live co-director Toby Burrows has been driving past the Bay Oval International Cricket Ground dreaming about putting on a show there.

With its vast space and prime location right in the heart of Mount Maunganui, the venue’s untapped potential was obvious to Toby. Not only would a successful show there bring energy, pride and cultural vibrancy to the community, it’d also be a massive boost to the local economy, filling hotels, restaurants, bars and local businesses as music fans, primed for a good time, flooded into town.

But, he also knew an event at this scale would take years of planning and would involve jumping through multiple consent hoops, adhering to strict conditions, not least of which included safeguarding the Oval’s “sacred” cricket pitch, and finding a summer window within the ground’s international cricket schedule. And, perhaps most difficult of all, the crucial task of finding an artist worthy of headlining such an iconic event.

Fortunately, Toby and his business partner Mitch Lowe knew just the man for the job.

“We pitched the idea to Fisher,” he says. The award winning DJ and house music producer is one of dance music’s most in-demand artists and is also one of Toby’s most requested acts. As he says, “Fisher and this venue were a perfect recipe.”

Having brought Fisher over last summer for two massive shows, including a record-breaking gig at Auckland’s Victoria Park, Toby and Mitch had an in, but with Fisher’s global popularity, they knew that they’d still have to convince the superstar.

“He’s a surfer, so I sold him on Mount Maunganui being a beachside town in the middle of summer,” he smiles. “And, I told him it would be the first time that this venue's ever been used for a large-scale concert, so it'd be a really iconic play that would go down in the history books.”

Even with the compelling sales pitch, Fisher made them sweat for an answer. “He sat with it for about four months,” Toby laughs, remembering the nervous wait. “But when he came back to us, he was really fired up about it. We definitely popped the champagne when he confirmed. We knew that when we announced it, it would get a massive response, and it has. It’s had a crazy, crazy response.”

Toby says they’re planning for a record-breaking 25,000-30,000 people at the show and is promising that it’ll be a big night.

“The production is so far beyond anything that's been done in New Zealand before,” Toby says. “Last year was big at Victoria Park. This is looking at three to five times bigger than that. With DJs, there’s a bit of a production arms race as to who can outdo each other. They're always trying to have the craziest show in the world. I think Fisher’s team have really outdone themselves with the design of this one. It's going to be pretty impressive.”

To mark the occasion and make a day of it, the gates will open in the afternoon. You can expect a festival atmosphere, with Toby saying there’ll be several support acts warming up the crowd and performing before Fisher takes the stage, to bring the event to a triumphant close.

“To do this dream idea in our hometown is really special,” Toby says. “Culturally, having something so cool in your city gives it an energy that makes it a desirable place to live. And even if there's no other show that ever happens at Bay Oval, this will be remembered forever.”

Fisher plays Bay Oval, Saturday, January 31.

For tickets, visit trademarklive.co.nz

WALK THIS WAY

Between shady forest walks, hidden waterfalls and rugged coastal headlands, the Bay of Plenty has no shortage of trails to discover.

PHOTOS TOURISM BAY OF PLENTY

When it comes to walks that showcase the stunning landscapes of our region, the Bay of Plenty is one of New Zealand’s most generous playgrounds. Here’s a hand-picked list of family-friendly walks around Tauranga and the wider Bay of Plenty to feature in your summer adventure itinerary.

Waikareao Estuary Walkway

This flat, easy loop in Tauranga is ideal for families, cyclists or anyone who’d rather amble than ascend. The total loop is about 10km, but there are many entry/ exit points so you can tailor it to 30 minutes, one hour or more. The surfaces include boardwalks, gravel and sealed paths, meandering through mangroves, marsh and birdlife-rich wetlands. Expect to spot local wading birds, and maybe even a fish or two.

Ōtanewainuku Forest and Waterfall Walks

About 25 to 30 minutes south of Tauranga (near Ōropi / Te Puke), Ōtanewainuku Forest offers multiple tracks suited to families. One popular route leads to Whataroa Falls, which includes a pool at the base. Because paths vary in length and difficulty, pick a climb that suits your group.

Ngā Tapuwae o Toi (Footprints of Toi Track)

If your family is up for a longer day out, the Ngā Tapuwae o Toi coastal-forest walk spans 16km and links Whakatāne to Ōhope. The full loop takes five to seven hours, but you can do it in sections (one to three hours) if you don’t want to commit to the full length. It passes through scenic reserves, pōhutukawa stands, seabird colonies and native forest. Dogs are not permitted as it is a kiwi zone. Try walking section by section, or just pick your favourite segment.

Orokawa Bay from Waihī Beach

For a bit more coastal adventure, the Orokawa Bay walk begins at the northern end of Waihī Beach and follows a tide-dependent coastal headland path. It’s roughly 45 minutes one way. The views are spectacular, and you can picnic in the shade of pōhutukawa trees in the bay. Just watch the tides and plan accordingly.

McLaren Falls and Waterfall Track

Just a 10- to 15-minute drive from Tauranga, McLaren Falls Park is a gem. One easy walk leads you through bush to a viewing platform over the falls, short enough for young legs but scenic enough to feel like an adventure. On summer evenings, the glow worms are said to appear along certain tracks. You can also wander around the lakeside paths (the McLaren Lakeside Walkway) for a longer but gentle stroll.

Kaiate Falls

A short drive (30 minutes) from Tauranga brings you to this forest walk through native bush, ending at a tiered waterfall. The track is about 45 minutes return and includes steps, so it’s more suited to families with confident walkers or older children. Swimming is not recommended, but the views and forest experience are worth it.

TOP TIPS

• Mix short and longer walks by combining a base-level stroll with one more adventurous hike on the same day, so everyone has something to enjoy.

• Time it with tides and weather. Coastal walks like Orokawa are best when tides permit and on calm days.

• Bring essentials such as sunblock, hats, snacks, water, insect repellent and wet-weather gear. Some tracks can be muddy after rain.

• Check track status. Some local reserves have track closures for infrastructure upgrades.

• Leave gates as found and carry out your rubbish. These tracks are well loved and cared for by local groups.

• Pace the kids. Use natural “pause points” (streams, lookouts, ponds) as moments to rest or explore.

To botox or not to botox?

Hayley Bath takes a wrinkle-filled stand against the pressure to freeze by embracing her unapologetic laugh lines.

If Hamlet were written in 2025 instead of 1599, the iconic line wouldn’t be “To be or not to be?” It’d be “To Botox or not to Botox?”.

Last month, I found myself at an event surrounded by a sea of unwrinkled, unmoving brows. Scanning the room, I realised only myself and one other woman were left in the natural-forehead resistance. Even some of the guys had it. I felt like the last raisin in a bunch of juicy grapes.

Now I’m a fairly expressive person. My forehead alone could star in its own play, and these wrinkles are starting to take center stage. Even in my 30s, I see them while doing my makeup, in videos, and sometimes I catch myself smoothing my forehead mid-mascara, just to sneak a peek at the alternate Botox universe me. She looks oddly surprised.

As a voice and face on radio and in the media, I’ve been offered free injectables. Twice actually. From real, professional places promising no wax-figure vibes. Yet, I haven’t done it. Can’t do it. Every time I think, “Maybe it’s time,” but some inner part of me screams, “Over my wrinkled forehead!” Blame personal hang ups, a weird sense of loyalty to my wrinkles or just stubbornness.

So why haven’t I joined the Botox parade? Especially when many people look great with it.

First, the niggle at the back of my head whispers ‘what about my daughter?’. She’s a quiet observer, learning from my life. I don’t want her to feel like she’s got to change or alter herself, because she’ll already be swimming in a sea of filtered, curated and perfectly polished faces online.

Secondly, people die young. Yikes. Apologies, that got heavy fast. My late-cousin sadly never got to have wrinkles. These lines are proof I’m still here. Laughing and squinting at emails I don’t fully read. Wrinkles are my life’s receipts. I’m trying to see them that way.

And, of course, there’s always a little fear stopping me. What if the results aren’t great? I don’t want to end up looking like you could crack a walnut on my forehead for six months. Or what if I get the dreaded eyebrow droop? And we’ve all met someone who looks like their upper face missed the memo that their lower face is trying to have a conversation. I like having full facial expressions.

To be clear, this isn’t Botox-bashing. Botox can boost self-confidence, make people feel good about their appearance and even be used for relief from migraines. But for me? This might be the hill I grow old, and wrinkly, on.

I haven’t shouted, “This is my wrinkle revolution!” I want to. But what if, in years from now, I wake up feeling worse for wear and the voice whispers, “Just one little jab...?”. Easy to be bold in your 30s, harder later. Do I have the guts to do nothing? I think so. I hope so.

In a perfect world, everyone would stop cosmetic injectables. Then we’d all be back on an even-aging playing field. But what if we revolted? What if laughter lines became badges of honour and we felt the freedom of not giving a toss? What if looking ‘old’ wasn’t something we avoided?

Until then, I’ll keep stretching my forehead in the mirror, wondering what could be, but probably sticking with what is. Because just like Hamlet, the internal conflict is the biggest battle. Having the courage to leave the sword (or in this case, the needle) could mean surviving all five acts with a face that tells the whole story.

There’s also something bad-ass about letting gravity have a go.

Catch Hayley on The Hits 95FM weekdays 9am to 3pm.

Keeping Christmas alive

More than a Christmas shop, Angela Thomson’s magical Te Puke store

reflects her lifelong mission to create lasting joy for others.

WORDS Hayley Barnett | PHOTOS Alan Gibson

In the heart of Te Puke sits a little pocket of wonder, a tiny store in which every corner whispers nostalgia. Christmas Magic Makers is one woman’s mission to bring joy and magic back into people’s lives. Angela Thomson, a mother of nine, a grandmother and a woman who has poured every inch of her spirit (and savings) into keeping the magic alive, admits her love affair with Christmas is ingrained.

“My parents split when we were young,” she says. “But Mum always made sure Christmas was magical. We’d wake up to presents and stockings, and then go to be with my grandparents, cousins, aunts and uncles. Everyone was there. We’d pick peas and corn from the garden for Christmas lunch. It was that perfect kind of chaos.”

That sense of magic became something Angela couldn’t let go of, and nor did she want to. With nine children and now five grandchildren of her own, she’s been recreating that spirit every year, passing it on through Christmas rituals.

“Most of the kids say, ‘That’s just Mum’s thing,’” she laughs. “Though one of my daughters has started doing her own version. It’s toned down now, but I can see her growing into it.”

But what many don’t see behind the tinsel is the personal cost. After a failed marriage, and dealing with the challenges of raising a son with severe cerebral palsy, Angela faced depression and health complications. Her rare blood vessel disease, coeliac disease and iron intolerance mean regular infusions that leave her depleted for days.

“Some infusions wipe me out for up to six days,” she says. “I’ll be stuck in bed, aching, puffy-eyed, unable to think straight.”

She opened the shop in 2017 and still runs it alone. “There’s no staff. Just me.”

Despite the physical toll, she presses on. Her second husband, Phil, and one of her older sons, Matthew, who lives on their property in a tiny home, step in to help care for Sam, her son with cerebral palsy.

“Sam can’t walk, talk or eat on his own,” she explains. “Matthew is amazing. He’s said he’ll care for Sam for life. When he walks into the room, Sam just lights up. Their bond is beautiful.”

In many ways, Christmas Magic Makers is Angela’s 10th child, something she nurtures. But times are hard. Last Christmas was her worst sales season yet, and this year she’s using her own retirement savings to keep the lights on. “It panicked me,” she admits. “I’ve got zero in the business account, but I love what I do. If I stopped, what would I be doing?”

She’s not interested in turning the store into a moneymaker. “It was never about money. It’s about making memories.” And she does that, not just through décor and retail, but through unexpected acts of kindness. Like the little boy who walked in last year and fell in love with a toy train. Angela gave it to him. “He was just so happy. It was sitting unused in the back anyway.”

Still, she’s trying to evolve the business to survive. She’s begun stocking general giftware, especially for kids, that can be bought for birthdays, not just Christmas. “I’m making Lucky Dip boxes now,” she says, referring to surprise boxes filled with small treasures. “Kids love them, and it doesn’t take much.”

But the reality of running a seasonal shop in a small town is tough. “Te Puke’s rent is high, and I can’t just move somewhere else. The whole shop is built into this space. If I had to pull it apart, I wouldn’t do it again.

“I know they say not to tell people you’re struggling, but I think people need to know. Once this place is gone, it’s gone. There’s nothing else like it.”

Her store might be filled with toys, but its foundation is built on grit. Angela started her working life in the Air Force, and later found herself raising children with special needs and battling serious health issues. It seems Angela has never chosen the easy path. During this time she even earned a PhD in law, a move she now admits was about trying to please her mother. “But that wasn’t me. I never even practised. I just wanted to make her proud.”

Now, finally, Angela is doing something just for herself. Christmas Magic Makers is her passion project and her gift to the community. Whether it survives past the next lease renewal (in August next year) depends largely on whether the community embraces it.

“People think, ‘Oh, it’s just a Christmas shop,’” she says. “But it’s more than that. It’s a place where kids make memories and where families can come together.”

As we wrap up, Angela’s eyes water. “I’ve spent my life doing what others expected. This shop is for me. I’m not ready to give it up.”

If you’re ever near Te Puke, step inside Christmas Magic Makers. You might walk out with a stocking filler, but more than that, you’ll carry a little piece of the magic Angela’s been creating her whole life.

CHRISTMASMAGICMAKERS.CO.NZ

Rewriting the rules

The region’s first ADHD clinic brings together leading minds and lived experience, in a place where families feel seen.

WORDS NICKY ADAMS | PHOTOS JAHL MARSHALL

Dr Sarah Moll and Freddie Bennett

It’s hard to pinpoint the most frustrating aspect of believing you have a neurodiverse child with ADHD or autism. It could be the helplessness you experience as a parent as you try to justify behaviour that to others appears anti-social, or the despair of feeling like a failure as the protector of your young one from their overwhelming emotions. Likely it’s the acute anxiety of knowing that you need help to navigate this.

Bay Paediatrics is a private clinic recently set up by leading specialists in the field of neurodiversity, that has been established here in Tauranga. A multi-disciplinary team of paediatricians, psychologists and behavioural change experts (among them co-founder Dr Sarah Moll, herself a paediatric consultant at Tauranga Hospital) will be working together to provide an all-encompassing, world-class service for ADHD, autism, cognitive and learning challenges, and across the neurodiverse spectrum.

Light, bright and spacious, the practice is welcoming - the waiting room is relaxed and comfortable, and there is a separate play area set up for neuro-sensitive children. Freddie Bennett, co-owner and husband of Sarah, shows me around, explaining the reasons behind the decision to set up the practice.

Dr Sarah Moll.

Working as a developmental paediatrician at Tauranga Hospital, Sarah has always wanted to create the best outcome for families, to give them the treatment and guidance they need. However, she was increasingly wishing more could be done. In addition, as parents, Sarah and Freddie have lived experience of the challenges ADHD can present.

As Freddie explains: “We went through a journey with our children, looking at an ADHD diagnosis. At the same time, I’ve come to recognise my own ADHD. Like many parents I looked down the list of symptoms and thought it started to sound familiar. When ADHD came on my radar all the pieces came together. As parents we know what it’s like to navigate ADHD with your children, to feel overwhelmed, confused, to feel like you’re stuck in this holding pattern, waiting and wondering. And there’s a lot of guilt, because you feel like you’re failing as a parent and you should be doing more, but you don’t know what to do.”

Sarah’s role at the hospital made her more than aware of the challenges parents face while trying to get a diagnosis, and as soon as she actively expressed a desire to do more, Freddie was on board. “We thought, what if we tried to create this centre of excellence. We asked, ‘What would I have needed two years ago when we were going on this diagnosis journey? What would I have needed five years ago when I was struggling with my son’s behaviour and I didn’t know what the hell to do? What if we can create the tools, the support, the diagnosis - everything - so other parents don’t have to go through it?’ With Sarah’s skills and talent, we had the platform to help as many children as possible. Now, with the New Zealand Neurodiversity Centre of Excellence - officially opened by New Zealand Minister for Mental Health, Matt Doocey in August - Bay Paediatrics is going from strength to strength.

Freddie Bennett.

The combination of skillsets of Freddie and Sarah are perfect for a venture such as this. Sarah brings the neurodiversity specialism, while Freddie takes care of business management. As Freddie explains, the beauty of the centre is the idea of it being a one-stop-shop. “We can assess, diagnose and prescribe ADHD medication. But we also thought, ‘For kids with ADHD and autism, let’s give parents some strategies designed for each family that will make a difference at home and school’. ADHD is often not a standalone condition. We have a multi-disciplinary team to provide gold-standard autism assessments, and with cognitive and learning assessments we can also test for and diagnose dyslexia, dyspraxia, dyscalculia and beyond. So, while we areBay Paediatrics, we call this building the New Zealand Neurodiversity Centre of Excellence. This is about giving every neurodiverse family the freedom to thrive.”

There are multiple points of difference offered by Bay Paediatrics, one being that while they are a private practice, they're extending their service to offer help to those that may just need clarification. Freddie confirms: “We will review a substantial amount of information for every family that comes to our door. Our medical team will review, and we will recommend the best next steps and assessment pathway for every family. We offer that service for free. Only if we see enough traits of ADHD do we then go on to offer them an assessment. We'll gather the information, analyse it and recommend a next step which may include ADHD, autism, cognitive and learning assessment or just consultation with our psychologist.

Freddie and Sarah have personally invested heavily into this venture, excited to be instigating what they consider a gamechanger. Sarah’s credentials are enough to get people to take notice of what they're doing. She was recently the only paediatrician in New Zealand to present at the 2025 ADHD World Congress in Prague. With her expertise comes knowledge on the most up-to-date diagnostic tools and resources available. Indeed, they are the only paediatric clinic in New Zealand to develop the unique 'ADHD Illuminate' assessment. This groundbreaking ADHD assessment utilises digital assessment techniques to provide a truly objective and science-backed diagnosis. Freddie says, "This is a gamechanger for families. No more guessing. No more worrying about teachers not picking up the signs of ADHD. This allows us to move faster, look deeper and go further for every child".

Very much the cherry on the cake with it comes to ADHD assessment, this computer-based diagnostic tool is designed to help evaluate ADHD by objectively measuring core ADHD symptoms like inattention, hyperactivity and impulsivity through motion tracking, eye-movements, computer tasks and scientific analysis. It supports a comprehensive diagnosis by helping to more accurately rule in or rule out ADHD, inform treatment decisions and enables the creation of personalised treatment plans.

“Another aspect of the Illuminate ADHD assessment is that you can come in at 9am and by 4pm you’ve got your diagnosis and potentially a prescription. We can give families the three C’s - certainty, clarity and confidence in one day. What we won’t do is tie you into follow-up appointments - there’s no hidden costs.”

Freddie emphasises that the clinic will stop at nothing to give families the support they need. His mission is to establish the Bay of Plenty as the 'Silicon Valley of child neurodiversity' for New Zealand... and eventually the world. He says, "A neurodiversity diagnosis stays with a child for the rest of their life, so nothing is more important than getting it right first time, every time."

Another aspect of the vision for Bay Paediatrics is the commitment to offer families the tools they need to develop confidence in neurodiversity. Freddie is excited about providing help, regardless of whether a parent chooses to come here for an assessment. “We have free resources, and we run the EPIC programme — Extraordinary Parents and Incredible Children. We have free podcasts and workshops; we have free books on our website. We run the EPIC Families events... giving parents the very best guidance. I believe this because as a parent with ADHD who has a child with ADHD, I know what it's like to feel that the world is against me. That's why we're starting what we call the 'neurodiversity revolution'. As a parent, I say revolution happens when a bunch of people turn around and say, ‘We’re not going to be overlooked anymore, we’re not going to be kept quiet and hidden away’.”

The passion from Freddie is palpable, and it’s clear the emotion that drives this clinic is genuine. There’s a deep understanding of what tip-toeing along the path of neurodiversity means for families. As Freddie points out, “Everything we create is for the real world, for real parents who have real struggles. We can give them tools to help them through. Most of all we want to help parents feel seen and understood. We want to be world-class. And we want Bay Paediatrics to lead the charge.”

BAYPAEDIATRICS.COM

Centre stage

Tauranga Arts Festival will come to life with a dazzling circus, bold beats, sharp wit and homegrown brilliance.

WORDS Monique Balvert-O’Connor

Hayley Sproull is The Baroness.

Internationally acclaimed circus performers, musicians, authors, actors and comedians will be amongst those set to thrill at the 2025 Tauranga Arts Festival. Taking to our stages will be the likes of Cirque Bon Bon, Tami Neilson, Hayley Sproull, Rhys Mathewson, Te Radar, Chelsea Winter and Catherine Chidgey to name but some. It’s an impressive line-up that also includes plenty of local talent keen to delight the crowds at their city’s flagship art festival event, kicking off over Labour Weekend.

Tauranga DJ queen Ayesha Kee.

Ayesha Kee doesn’t plan on raising the roof of the Carrus Crystal Palace, but she’s sure hoping she’ll have that glorious tent rocking.

The Tauranga DJ queen can’t wait to “slay the disco way” during the Tauranga Arts Festival where she’ll help fulfil many a dazzling disco dream. Ayesha will team up with powerhouse vocalist Lisa Tomlins to deliver a Queens of Disco event. Expect the most iconic disco anthems ever to hit the dancefloor. Think Diana Ross, some Pointer Sisters, Bee Gees… feel good music, Ayesha says, that’s likely to seduce many, of varying age groups, onto the dancefloor.

By day Ayesha is a community development manager at Kaiwhakahaere Whakawhanake Hapori. By night, well, that’s alter ego time.

“I have always loved music but never learnt an instrument, so I got into deejaying about 20 years ago. I love it so much as there’s the opportunity
to take people on a musical journey, and you just make people happy,” she beams.

Tauranga’s proud to claim her. While Ayesha’s only been Tauranga based for 10 years, Ngāti Ranginui is her iwi and Ngāi Tamarāwaho her hapu.

She will be one of an array of local talent in the spotlight over festival week. 

UNO is proud to be sponsoring what’s expected to be a hugely popular festival event: comedian Hayley Sproull’s show The Baroness. It’s so named as Hayley is The Baroness sky-rocketing towards 40, with a “happily untenanted” womb and a life of love, leisure and lingus. Hayley feels less barren and more Baroness.

As a Baroness, her focus is on making “martinis, not milk. She changes her mind, not nappies. She wants durries, not diapers.” Tauranga Arts Festival attendees can rest assured she’ll be delivering not a child, but copious amounts of chuckle-worthy moments.

Tauranga Arts Festival general manager Sarah Cotter says this year’s event will be full of fun, magic and vibrancy, with world-class performances, thought-provoking conversations and experiences to stir the senses and soul.

Ozi Ozaa.

Local creatives playing a part in delivering all that wonder include the festival team’s very own content creator Fabio Camera, who, like Aeysha, cannot resist the call of music when his day job is over. Aptly, he’s a musician in a band carrying a name meaning work and happiness - Ozi Ozaa. This Afrofunk band will perform on the Tauranga Waterfront in the Carrus Crystal Palace Spiegeltent.

Still on the music front, local talent will also be showcased during two of the festival’s free events - Opus Pocket Orchestra Concert and Undergrand.
The former is focused on little listeners and will feature 30-minute concerts offering young ones a joyful, interactive introduction to orchestral music. Undergrand, meanwhile, has been dubbed “a piano
in the wild”. Imagine stumbling upon a baby grand piano in the most unexpected places, like Mount Main Beach at Sunrise, Tauranga’s waterfront after dusk, and in a city park by day. This roaming, open-air musical experience will include a line-up of up-and-coming Tauranga students and seasoned pianists playing everything from classical to jazz
to improvised soundscapes.

Battle Chorus.

Playing a key, guiding role in two events is award-winning Tauranga born and raised Jason Te Mete (Ngāti Ranginui, Ngai Te Rangi), a freelance actor, singer, dancer, director, pianist, and playwright/writer. His festival babies are Battle Chorus – where two choirs go to war — and also Waiata Mai, a free-to-all sing-along (watch out for some local legends, like a free-to-all sing-along that closes the festival on Sunday November 2. 

The final days of the festival, in early November, involve Escape, with its focus on the literary. In amongst the major New Zealand fiction writers is Tauranga’s own Anne Tiernan, author of bestselling novel The Last Days of Joy (partially set in Tauranga), and (recently released) The Good Mistress. 

Less joyful, but inarguably good, is the demise of the New Zealand media, and Tauranga’s investigative journalist Jared Savage will speak to this in Media Madness. Jared will join a line-up of journalists in unpacking and debating the media landscape of 2025.

Sarah Ell will also offer learning opportunities. Sarah’s recently published book The Spirit of a Place, is a new history of The Elms | Te Papa Tauranga, recognised as one of New Zealand’s most significant heritage sites. Sarah’s talk promises a rare glimpse into Tauranga’s layered past.

This part of the festival will honour the late, great Tauranga writer Sherryl Jordan who wrote beloved novels for children and young adults, including:
Rocco, The Wednesday Wizard, The Juniper Game, and Winter of Fire.

Escape invites people to “sit back, relax and immerse in a suite of scintillating conversations”, says former Tauranga resident Claire Mabey. She would know - she devised the programme. Claire, who is of strong literary pedigree, has strong ties to the festival, having been part of the organising team on previous occasions. Amongst her accomplishments,
Claire is The Spinoff’s book editor, the founder of Wellington’s Verb Festival, and author of The Raven’s Eye Runaways (and its just-completed sequel).

To end with a Z… back by popular demand is Tauranga Zinefest. This popular independent publishing event that celebrates creativity on
the fringe returns.

Undergrand's piano in the wild.

FREE EVENTS

The festival excitement includes a diverse range of family-friendly and free events offering the chance to be wowed, to sing your heart out, get creative and to have a giggle or two, says its proud and excited general manager. 

“This is Tauranga’s festival, and we want to make it as accessible as possible to as many Tauranga people as we can,” Sarah says.

Some of the free events (Undergrand, Zinefest, Opus Pocket Orchestra Concert) are mentioned above. Add to that Waiata  Mai, Obelisk Natura and CAR-A-OKE! 

For show times and tickets, visit taurangafestival.co.nz

Clubbing with the girls

A girls’ golf getaway to Ōhope and Whakatāne serves up the ultimate weekend escape.

Planning a girls' weekend that mixes great golf with good food and a bit of beachside downtime?

Ōhope and Whakatāne deliver the goods, whether you're a near-pro or just tagging along for the eats and views.

Tee off and chill out

This trip starts on the green. You’ve got two standout courses close together, each with its own vibe.

Ōhope Beach Golf Links is the kind of course where your phone camera might get more action than your driver. With views of the Pacific Ocean on one side and Ōhiwa Harbour on the other, it’s a classic links course with a relaxed pace, plenty of fresh air and a few playful challenges to keep things lively.

Over and around the hill, Whakatāne Golf Club offers something different. It’s lush, tree-lined and loved for its pristine greens. Ideal if you want a slightly more structured round, or to show off your short game.

Where to stay and slay

Ōhope offers beachside motels, modern apartments and the well-loved Ōhope Beach Top 10 Holiday Park, complete with spas and saunas that are perfect after a day of golf or shopping.

In Whakatāne, stay central with chic motels and easy-access apartments, or find a tucked-away spot if you're craving a quiet wine-and-face-mask night.

A little shopping, a little adventure

Got some downtime between tee times? You’ll find it easy to fill. Boutique stores in Ōhope Village and along The Strand in Whakatāne are great for a slow wander, especially if your crew loves homewares, beachwear and little local gems.

For something more active, explore the trails around Ōhiwa Harbour by bike, take a scenic bush walk on the Nga Tapuwae o Toi trail, or soak up some sun along Ōhope Beach. Feeling adventurous? Book a fishing charter or a kayak trip and make some salty memories together.

Bites and bonding

After your round, the real fun begins. Start at Fisherman’s Wharf in Ōhope for cocktails and seafood with a view, or head to Moxi for great coffee and brunch bites. The Ōhope Beach Tavern brings the post-golf pub vibes, with a side of ocean breeze. Whakatāne steps it up after dark. Grab fusion dishes and fizz at Cigol, hearty burgers and beers at The Comm, or something more refined (and wine list–friendly) at Roquette. Craft lovers, don’t miss Mata Brewery for a tasting flight and Smokin’ Goose for next-level BBQ.

The best kind of girls’ trip

A golf getaway with the girls doesn’t have to be all about the game. Whakatāne and Ōhope serve up the perfect blend of swing, sip, shop and soak, all in one sunny, easy-to-reach package. Whether you're lining up birdies or just enjoying the weekend vibes, it’s a trip worth planning.

WHAKATANE.COM

Reggae, revolution and red red wine

Karl Puschmann catches up with Ali Campbell, the legendary UB40 frontman, to talk band beginnings, protest and politics, their big hits, and why he can’t wait to bring the band’s reggae vibes back to the Bay.

Ali Campbell is bleary-eyed but upbeat when UNO calls. It’s 8am in the UK, and the UB40 frontman only got home from a European festival tour yesterday.

“It’s all a bit mad here,” he jokes, before settling in for a breezy and candid chat about UB40, the influential reggae band he co-founded in 1978 and led to global success before inner band turbulence saw them splitting into two groups.

But before getting into the past, we need to talk about his future return to Aotearoa to headline music festival Kingston Calling this Waitangi Weekend. The brand new reggae tour, with seven stops across the North Island, also features Katchafire, The Black Seeds and Corrella.

“I’m very, very happy to be coming back. It’s one of my favourite places,” he enthuses. “I’ve got a lot of friends there, a lot of Māori friends, so we always have a great time. It's a beautiful country.”

Then he pauses and says, “There are some weird things happening politically that I'm not too sure of. I've heard about the new Prime Minister... I've got to look at all that.”

You may think it’s unusual that a British music icon would know about or even be interested in our politics, but Ali has a long history with our country. He lived here for months when he was a judge on reality show New Zealand’s Got Talent back in 2012, his current tour manager is Māori and he’s even taken the time to read something that a lot of us haven’t; the Treaty of Waitangi.

“I lived in the middle of Auckland in the Viaduct. I know my way around,” he laughs. “And, of course, we've travelled extensively around both the North and the South Islands.”

Aotearoa’s always had a huge love for UB40. This stretches right back to the band’s cracking debut single, the politically charged deep reggae groove of Food For Thought, which topped our charts in 1980, to give the band their first-ever Number One hit. But when I ask why he thinks the band has resonated with us Kiwis so much, he’s modest, saying, “It’s not UB40 that people love. It's the music. People love reggae music.”

“Reggae is unifying, and it's still cool today,” he continues. “That's the important thing. It's still cool. People like us because we're an accessible reggae band.”

Ali grew up in South Birmingham, “on the wrong side of the tracks,” as he says, surrounded by the colourful sounds of the Caribbean and Asian cultures that were his neighbours. Unlike most of England at that time, it was a true multicultural environment, and one that impacted his world view.

“I was very lucky. I had Jamaican, Indian, West Indian and Arabic friends. I grew up amongst this melting pot. I loved it. It gave me a broad outlook on life. I wasn't prejudiced against anybody. Just fascists, I didn't like them. I’d go to a lot of anti-fascist demos and all that stuff. But we'd do it all together.”

Then grinning he adds, “And generally, the police were our enemies. Everybody else was friends.”

Aged 15 he went and saw Bob Marley and the Wailers in concert. It would be a transformative experience.

“It was like seeing the Messiah. I was totally blown away,” he says, a note of awe still resonating in his voice. “The year before that, I'd seen the Jackson 5. And that also blew me away because I was a mad Jackson 5 fan as well. Those two years basically showed my musical future to me. It was life-changing.”

After the show, he decided to form a band. But his plan had two big problems.

“We didn't know how to play. And we didn't have any instruments, so we... acquired our instruments, let's say,” he laughs. “We were on the dole, so we couldn't go and buy them. We had to acquire them.”

With instruments “acquired”, all they had to do next was learn how to play them. To do this, they continually played the 12” version of Gregory Isaacs reggae hit, ‘Mr Know It All’, which features a dub breakdown in the middle, deconstructing each part and slowly working it out by playing along. Eventually, they got to the point where the record stopped and they could continue jamming.

“And that's how we learned to play. Six months later, we'd written our first album, which went on to sell eight million copies. It was ridiculous,” he grins.

That album was Signing Off, a groundbreaking and politically charged album of deep groove reggae whose music and message still resonate today.

“We followed Bob Marley's lead and other reggae artists like Lee Perry, who were political. We felt obliged if we got a platform to write something relevant. And we continue to do so.”

As an example, he cites ‘Burden of Shame’, which, when he sings it live now, has the lyrics “A baby in Gaza dies,” instead of “A boy in Soweto dies”.

“Depressingly, the songs are still as relevant as they were when we wrote them,” he sighs. “I've learned that you don't change anything by singing about it. It's as simple as that. All we're doing is voicing an opinion. It doesn't change anything. Things might have got worse even.”

As well as their political material, UB40 also explored the smoother, pop-leaning side of reggae, with their hugely popular Labour of Love albums, which saw them performing covers of the songs that had influenced them, like ‘Red Red Wine’, ‘The Way You Do the Things You Do’ and ‘Here I Am (Come and Take Me)’.

“We kept getting asked about why we played reggae, so we decided to do those albums,” he says, laughing that they’d been strongly advised against recording a covers album. Labour of Love would top global charts, including here, and go on to sell over 21 million copies.

“They’re the songs we used to hear on jukeboxes in cafés where we used to hang out as kids, playing pinball and running errands for prostitutes. We grew up listening to those songs. We loved them, and we knew that anybody else who got to hear them would love them as well. And we were right.”

After 24 years together, tensions within the band led to a split in 2008, with Ali moving on to front his own group, UB40 featuring Ali Campbell, while the remaining members continued under the original name.

“When I left it was sad, but I couldn't carry on with them. They wouldn't let me promote my second solo album, which was called Running Free, ironically enough,” he says. “All I wanted was a month off to promote it, and they were steadfastly telling me I couldn't do it, so I walked. It’s all very silly and a very petty argument. But I was quite happy to leave and I've had a great time since. I've got my new band, who are all seasoned reggae players, and I love them. That's who I'm bringing to New Zealand. I think they’re the best band around.”

Which makes them a fitting choice to headline Kingston Calling, especially as it’s the first-ever concert to be played at The Bay Oval, in the heart of Mount Maunganui.

“I'm a little bit nervous,” Ali admits when asked how it feels to be christening this new venue. “But it's fun being the first to do anything really.”

I confess to taking a sneak peek at some of his recent setlists, which gets a chuckle when I say he’s bringing some absolute bangers that will keep all fans of UB40’s multifaceted career extremely satisfied.

“It's more or less a Greatest Hits set,” he smiles. “We're not self-indulgent. We know what the people want to hear, so that's what we do.”

Purchase tickets to Kingston Calling at

kingstoncalling.co.nz

A new rhythm

After calling the Waikato home all his life, Katchafire frontman Logan Bell recently moved to the Bay.

It was just two short years ago that Logan Bell, the Katchafire frontman, and his family made the move from the Waikato to Tauranga’s Welcome Bay. For his wife, who grew up in the Bay, it was a return to her roots, but for Logan it was a completely new experience. While he’d toured the world many times over with the band, the Waikato was the only place he’d ever called home.

“This is the first time I've moved away,” he admits. “We love it here. It's really awesome for our family. I love my house. I'm a total homebody. I don't go anywhere else”.

Then he laughs and says, “I’m nearly a real local now, bro. I almost don't need Google Maps to get around now.”

Already, he says, the relaxed lifestyle, beachtown vibes and the musical community here in the Bay has begun to influence his music.

“Your environment and your vibe always has a lot to do with what's coming out creatively. This morning I was in the studio with Tiki Taane. The other week, me, Laughton Kora, Fran Kora and Joel from LAB got together and had a bit of a jam. It's just a nice community here and a nice vibe for me.”

Over their almost 30-year-long career, Katachfire has become one of Aotearoa’s most beloved reggae bands, first coming to national attention with their 2003 debut album Revival, before building an international audience through hits like ‘Frisk Me Down’, ‘Giddy Up’ and ‘Get Away’ and going on to tour with legendary reggae acts like The Wailers, Shaggy, Lauryn Hill, and, of course, UB40 who they’re sharing the stage with at Kingston Calling.

“We’re blessed to get the call up,” he smiles. “UB40 has always been a huge inspiration of ours, we kind of modeled our career off them. We’ve followed their example and their path in a lot of ways.”

While music styles come in and out of fashion, reggae’s popularity has never waned, especially here in Aotearoa. This, Logan says, is because

reggae is the “people’s music”.

“It touches on matters of truth. And a lot of it's to do with the underdog truth, the sufferer's truth. We, as a nation, are born of that. We can identify with these stories, and we have our own to tell as well. That's why I think it's so easy for us to feel connected to reggae and feel a part of the music and the messages.”

Perfection

Harbour serenity meets architectural elegance in this elevated Matua masterpiece, where every window frames a postcard-worthy panorama.

WORDS JO FERRIS

Tauranga Harbour’s diverse fascination fuels its magnetism for anyone yearning to savour scenery and the soothing appeal of water. With the added attraction of Fergusson Park on the doorstep, this property benefits from a wider playground — an extension of an already idyllic setting.

Waratah Street’s ridgeline embraces the aura of this rare position, which this home takes full advantage of. North facing, it basks in sun all day. Views stretch across to Matakana Island — Mauao to the right, postcard scenery up the harbour, with the Kaimais behind and Coromandel in the distance. Smart design ensures views are centre stage.

The house was built in the 1970s. Not that you’d think so. A substantial transformation in 2010 elevated it to a house with significant presence. The style is contemporary. It’s timeless and focused on scenery. Full-height glazing combines with pill-box features to serve a dual purpose. Raised ceilings enhance space and light in living areas. Floor-length glazing offers seamless connections with the views, while also harnessing solar warmth. At night, lighting comes into its own, with discreet placement inside and garden features infusing candlelit magic.

This is most noticeable in family living. The kitchen’s sleek lines adopt a futuristic slant, negative detail, refining the clean look. The wall-hung style of the cooking station highlights the bespoke design and allows lighting to hide below the unit for creative effect. Similarly, hidden lighting in the unit above instils further finesse to this kitchen’s individual statement. Cooks will appreciate the scullery and quality appliances. Friends will be drawn to the bar-stool setting. There’s even a dedicated coffee counter for baristas.

Formal dining and family relaxation both have full command of the harbour outlook, while sliding doors open to sheltered decking to enhance the connection. Moods change in the main lounge next door; its vaulted ceiling also enjoying added height and light from pill-box windows. The feature wall housing the gas fire and distinctive cabinetry instil the vibe of a private club, yet eyes turn quickly to the characteristic glass wall. It is another innovative aspect that not only expands the use of natural light; it visually extends this room and introduces the harbour scenery from the foyer.

This grand entrance is also the internal stairwell from the garage below. But the lower level also houses an office, or another lounge, if you prefer. With its own garden courtyard to enjoy time in the sun, there are options for this room’s use.

Three bedrooms sit upstairs, headlined by the master suite, with its direct harbour view. While this bedroom’s deck offers a level of privacy, it handshakes with the larger setting off living rooms next door. The sheltered terrace is the central feature of the various outdoor settings that surround the home — a focal point to enjoy the scenery and toast sunset each evening. Two more bedrooms share a luxury bathroom, which is a similar design to the master’s ensuite, with twin vanities and a glassless, wet shower.

Privacy is an integral element of this home. A remotely operated vehicle gate and digital lock on the pedestrian gate ensure security from the street, while a padlocked, personal access to the sloping green belt offers a direct link with Fergusson Park and harbour walkways below.

Immaculate throughout, with attention to detail adding five-star personality to every room, this home nestles within beautifully-landscaped gardens — lawns, mature trees, a raised kitchen garden and sculpted plant beds. There’s even a putting green. It doesn’t stop there, however. An enviable list of chattels includes two TVs, four heat pumps, inbuilt sound speakers, an ornamental fountain and irrigation, to name a few.

A home of substance, prestige and captivating views - Matua awaits.

145 Waratah Street, Matua

OLIVERROADBAYOFPLENTY.COM