Dentistry with depth
Blending decades of international expertise with a warm, family-focused approach, DentalPlus is redefining modern dental care in Tauranga.
Blending decades of international expertise with a warm, family-focused approach, DentalPlus is redefining modern dental care in Tauranga.
photo SANDRI BLOM
When Dr Dalton and Candice Booyse arrived in Tauranga two years ago, they didn’t just bring their twin boys and a love for the ocean, they brought decades of experience, a few cherished heirlooms, and a vision for family-focused dental care.
Eleven months ago, the Booyses took over DentalPlus, a well-established practice that's been serving the Tauranga community for over 17 years.
“We were looking for a place that reminded us of home, somewhere the boys could be outdoors, where there’s space to fish, surf, and just enjoy life,” says Dalton, a seasoned dentist with over two decades of international experience.
Originally from Durban, Dalton previously worked in the UK before returning to South Africa, and finally, making the leap to New Zealand. DentalPlus is now home to a tight-knit team of 13, including three experienced dentists and two hygienists. Among them is the clinic’s previous owner, Chris, a familiar face in the community. He has remained onboard and still works at the practice.
“Having that continuity has been really helpful,” says Candice. Though she doesn’t practice dentistry, Candice plays a key role in the business operations, customer care, and keeping the family-run essence alive.
“It’s important that our patients feel like part of the family,” she says. That warmth extends to the waiting room, where a vintage dental cabinet once owned by Dalton’s father – also a respected dentist – now sits proudly.
“It’s a real talking point,” laughs Candice. “We shipped it all the way from South Africa. It’s full of little drawers and tools from a different era, and people love seeing it.”
The clinic offers a full suite of services, from routine check-ups and hygienist care to cosmetic procedures, orthodontics, advanced implant work, Invisalign and full dental rehabilitation. The clinic also offers sedation for nervous patients. While Chris is a Platinum Invisalign member, his other colleagues also bring a unique level of expertise. Dr Nicola Wood has special interests in minimally invasive dentistry, and cosmetic and functional dentistry, including dental implants. “We all cover a wide range of treatments and can bounce ideas off one another. It’s a great team dynamic,” Dalton says.
Technology is also a focus. DentalPlus is embracing the digital shift with 3D scanners, CBCT imaging, and AI integrated tools. “It’s about giving people the best care with the most up-to-date methods,” says Dalton. “But it’s still the relationships we build that matter most.”
And those relationships often start young. With a focus on family care, the team encourages regular hygienist visits to set a strong foundation for long-term health. “It’s amazing the difference early care can make,” Dalton adds.
While the Booyses may have started out thousands of kilometres away, their roots are now firmly planted in the Bay. Having taken over a practice already built on heritage, heart, and high standards, it can only get better from here.
Te reo rising
Reena Snook is bringing world-class, all–te reo Māori theatre to Tauranga, creating a bold new direction for Baycourt.
Reena Snook is bringing world-class, all–te reo Māori theatre to Tauranga, creating a bold new direction for Baycourt.
words SUE HOFFART photos TE POU THEATRE & THE DUST PALACE + DAVID COOPER
Work has become undeniably personal for Baycourt Community and Arts Centre manager Reena Snook. Four years into her tenure, the drama school graduate and first-year te reo Māori student is championing a production that combines a theatre and circus spectacle with dialogue entirely in te reo.
“This is something I wish a young me could have seen,” Reena says of the Te Tangi a Te Tūī performance being staged in Tauranga in August. “One reviewer called it transformative, and I’m convinced that’s true. It’s an experience that really could be pivotal for a lot of the young people we’re bringing into our theatre.”
Baycourt will host the August 6 opening night of a tour that encompasses four other North Island centres. And Baycourt is also gifting tickets to all students attending a school-only performance on August 7.
“We want to remove as many financial barriers as possible because nothing should stand in the way of rangatahi experiencing world-class performers. This young audience will hear stories grounded in indigenous culture, they’ll hear te reo Māori on stage and that’s likely to feel powerful and personal to many. Perhaps they’ll see a pathway I couldn’t imagine at their age.”
When Te Tangi a Te Tūī had its Aotearoa premiere at Te Pou Theatre in Auckland last year, Reena was immediately determined to bring the production to Tauranga. A long-standing connection to two of the project’s key creators helped: Eve Gordon of The Dust Palace and Tainui Tukiwaho of Te Pou Theatre attended drama school with Reena in Auckland.
The work also marks a strategic shift for Baycourt as the centre moves towards broadening and complementing its current programme offerings. Reena acknowledges Baycourt’s “incredibly rich history” that’s achieved so much. But, she recognises some voices and stories haven’t been as visible as others.
“As a community arts centre, we need to take deliberate steps to bring people from all parts of the community onto the stage and into the audience,” she says.
Te Tangi a Te Tūī, which tells the story of the tui’s song and its evolution over the centuries, is a positive step in that direction. “It’s the first time we’ve been able to support a professional production performed fully in te reo Māori. I love the way this show honours our Pākehā audiences too, with the cirque theatre and universal story elements ensuring it’s accessible and understandable for everyone.
“There’s no tokenism here. We’re not just putting a Māori theatre production on stage to meet a diversity quota. One of the goals is to offer Pākehā a safe entry point into te ao Māori – something they can genuinely connect with and enjoy, without feeling like they’re being overwhelmed or excluded.”
Reena shares how she has spent much of her life distanced from her Ngāpuhi roots and how a deep sense of not belonging shapes some of her story. “As someone of mixed heritage I often felt I wasn’t ‘brown enough’ to be Māori or ‘white enough’ to be Pākehā.
“That’s a tension that has informed my approach to programming and community engagement. I want to create spaces and experiences where people of all backgrounds and identities can feel recognised and valued.”
It was only after relocating from Auckland to Tauranga with husband Greg, in 2018, that Reena began closely examining her own identity. (She left a job as senior producer at performing arts platform, Auckland Live, to take up a Tauranga City Council events management position).
She speaks of an unexpected sense of connection with Tauranga mana whenua and how the warm welcome spurred her to begin tracing the threads of her whānau and whakapapa.
“It’s funny the further away I got from my tūrangawaewae in the Far North, the more I wanted to learn about my Māori whakapapa.”
Alongside her personal cultural awakening, Reena realised she missed the performing arts world and its creative people. So, when the Baycourt role came up in 2021, she pounced. Presenting Te Tangi a Te Tūī will be a career high.
“For those who still doubt the calibre of Māori theatre, this production is set to challenge that perception entirely.”
“It’s special that Baycourt is the tour’s first stop and I’m proud our local rangatahi will see themselves reflected on stage. For some in our audience, this may also be their first visit to a traditional theatre.
“It’s critical Baycourt supports work like this, so that culturally powerful storytelling reaches the communities that need to see it most.”
Bay of style: Local fashion, flair and creativity
The Bay has been a mecca for successful fashion designers for decades, and now the new Tauranga Museum is planning to showcase its creative history in a collection that’s dressed to impress.
The Bay has been a mecca for successful fashion designers for decades, and now the new Tauranga Museum is planning to showcase its creative history in a collection that’s dressed to impress.
words DEBBIE GRIFFITHS
From homemade psychedelic ’60s frocks to prototype shoes to swimwear that made waves worldwide – the Bay is home to innovative fashion that will be celebrated in Tauranga Museum when it opens in 2028.
“Our fashion collection will show the talent and stretch people’s ideas of what Tauranga is,” says curator Fiona Kean. “Our fashion industry doesn’t get as much focus as it should.”
In fact, there are a number of New Zealand brands – both past and present – that many don’t realise are local. Expozay burst onto the scene in the 1970s, within a decade becoming the first Kiwi swimwear label in the North American market.
“We have the largest Expozay collection in New Zealand that starts from the beginning with hand airbrushed bikinis through to pieces from the early ’90s. Then we leap forward to emroce, which is also groundbreaking and global.”
Expozay swimsuit, photographed by Karen Ishiguro, nzfashionmuseum.org.nz
Pāpāmoa-based emroce, by designer Emma La Rocca, is the only zero-waste swimwear brand in the world. “Her desire is to see the way clothing is manufactured change to be more sustainable,“ says Fiona. “She uses fabric made from recycled fishing nets and cuts it in a way that means there’s no waste. She also makes inclusive gender-neutral swimwear.”
There’s also a nod to Staxs that had 21 stores around the country, boutique shoe designer Chaos & Harmony, surf labels – like RPM and Lower – Nyne, Repertoire and Greerton-based Beverley Productions that’s been creating knitwear since 1962.
“We’ve got over 5000 textile related objects in the museum collection and a lot have been handmade by local women who have the skills and passion to look great, and make their own clothes,” says Fiona.
Among them, former Ōtūmoetai Intermediate home science teacher Ruth Espin who donated seven pieces before she passed away in 2019.
“Each dress represents a pivotal moment in her life; the one she wore when she got engaged, her wedding dress and the outfit she was wearing when she took her baby home from hospital.”
Some of the outfits were purchased at Hartley’s on The Strand. Those who grew up in Tauranga will have fond memories of their Lamson Cash Carrier System before the store closed in 1987.
“Nostalgia will be an important part of the museum experience and reminding people that they’re part of something bigger,” says Fiona. “There’s so much to share, we’ll be swapping out items regularly so it will be constantly changing. We’re very excited to showcase our fashion success stories.”