RHYTHM AND FLOW
Tauranga Museum promises to transform the city centre as it unveils its stunning state-of-the-art floating design.
Tauranga Museum promises to transform the city centre as it unveils its stunning state-of-the-art floating design.
WORDS JO-MARIE BAKER
Hidden behind construction hoardings on Hamilton and Willow Street, a breathtaking project is beginning to rise that will at long last unleash Tauranga CBD’s full potential.
Tauranga Museum is due to open for Matariki celebrations in 2028 and will undoubtedly transform our city centre. The wider $306m civic precinct, Te Manawataki o Te Papa, is expected to triple daily visitor numbers, and the museum — with its stunning façade — will be a major drawcard.
Warren and Mahoney principal architect Vajini Pannila leads a large team who have designed the new museum to look as though it’s floating above the land.
“It’s a once-in-a-generation project,” she acknowledges. “It was a moment for zooming out and thinking about the future of cultural buildings and asking, ‘what will a museum be in the future?’ These cultural and arts projects are very close to my heart, and I believe quite deeply in the impact they can have on our next generation.”
Extensive design workshops and consultation with mana whenua have created a building which will return the site to a place of prosperity and become a vibrant public space.
“Mana whenua were once thriving on this piece of land. It was a place of abundance. One of our design strategies was to have a continuous landscape that’s uninterrupted underneath the building. That also means the general public should be able to flow through it, so the foyer is designed in such a way that you can walk from one side of the site to the other.
“One of the concepts for the site-wide landscape is this idea of flowing water and pebbles, and so we’ve shaped the entrance foyer, which has a big level difference, to get this feeling of water having carved away these ramps, stairs and terraces. We took the challenge of trying to create a place where people can stop and sit. It’s like a living room for the city.”
The façade itself is inspired by traditional Māori storage vessels, such as woven baskets and waka huia treasure boxes. Caramel-coloured aluminum blades with a hint of metallic speckle are woven around the outside of the building, while a textured brick bends and curves its way around the base of the exhibition space in a strong geometric design.
“We have some deep cutouts within the tilted blades with some reflective glass elements sitting behind them. So a weaving pattern emerges in different ways as the light hits it at different times of the day. The exterior melts away and then it builds back up. It’s got this rhythm to it,” Vajini explains.
Warren and Mahoney principal architect Vajini Pannila.
“We did a lot of work on developing a bespoke profile for those blades, to get this sense of reflectivity and shadow and depth. Throughout every day it will look different depending on where the sun is and the season. We put a lot of work into that.”
She’s most proud of how the design enables such a large building to sit so lightly on the land. “The façade was a challenge because in order to make the building look very simple, the form of it has to work really hard to tell the story of these vessels. Getting the material to flow around the corners is really pushing the innovation in New Zealand. I think we’ve turned something that was a challenge into something that will be a triumph for a lot of different New Zealand suppliers and contractors.”
One eye-catching feature is inspired by a hīnaki (eel trap), which has an opening to draw fish inside.
“Typically for museums and gallery spaces, natural light is not welcome. But we had a very collaborative process with the museum director and have created a large glass opening that you’ll be able to see from the waterfront to help attract people to visit. The museum is curating a very special object that will be seen from that aperture. It will look incredible!”
The design team also collaborated with local Māori artists whose work will be overlaid on various architectural features, such as a frit on the glazed atrium roof and walls, and patterns on some of the exterior brick.
“They’ve taken our site-wide concepts and they’ve translated it into their art. So there’s a lot of ideas that are reinforced and keep finding form through our work and their work.”
Vajini says cultural engagement and co-design has been integral to the project. “The museum is a moment of reconciliation where this site will return to being a place of coming together and prosperity again.
“Civic buildings are a place where we understand our shared identity. I think people will feel in awe of Tauranga’s history and really understand their place within these rich stories that have come before them.”
WHAT’S ON
Tauranga’s event season is in full swing. A mix of sport, music and big-name performers are bringing plenty of life to the city. Whether you’re staying local or hosting visitors, there’s so much to see and do.
Tauranga’s event season is in full swing. A mix of sport, music and big-name performers are bringing plenty of life to the city. Whether you’re staying local or hosting visitors, there’s so much to see and do. “This summer is going to be huge,” says Tauranga mayor Mahé Drysdale. “Our city will be buzzing with events for everyone. Locals can enjoy an incredible line-up right here at home, and visitors will get to experience Tauranga at its absolute best – welcoming and full of energy.”
BLACKCAPS VS WEST INDIES — TEST MATCH December 18–22 — Bay Oval
Five days of classic summer cricket as the BLACKCAPS face the West Indies. Experience a lively crowd, great match-up and that unmistakable Bay Oval atmosphere.
L.A.B. & STAN WALKER
December 27 — Wharepai Domain
Two of Aotearoa’s most loved acts return for an afternoon and evening of music in the heart of the city. A strong line-up and a cruisy festival feel is exactly the kind of day Tauranga does well.
NEW YEAR’S EVE CELEBRATIONS
December 31 — Tauranga city centre, Mount Maunganui, Greerton, Matua, Pāpāmoa
Music, entertainment, food trucks, and a 9.30pm fireworks display at all sites (except Greerton which has a light show). A relaxed, fun New Year’s Eve for families and anyone keen to stay close to home.
HOT SPRING SPAS T20 BLACK CLASH
January 17 — Bay Oval Team
Rugby squares up to Team Cricket, led by Kieran Read and Dan Vettori. Fast, noisy and full of personality, this event is always a crowd-pleaser.
JIMMY CARR — LAUGHS FUNNY TOUR
January 25 — Mercury Baypark
A night of sharp, unapologetic comedy from Jimmy Carr as he brings his latest tour to Tauranga.
BAYPARK SPEEDWAY — SUMMER SERIES
Various dates — Mercury Baypark
Stadium High-powered racing, packed stands and full-throttle excitement, the summer series is back with a full run of events.
THE CHIEFS VS FIJIAN DRUA
January 30 — Blake Park
Get ready for a summer showdown as the Chiefs take on the Fijian Drua at Blake Park. Expect high-energy footy, electric fan spirit, and a warm-weather evening out for friends, families and rugby lovers alike.
FISHER
January 31 — Bay Oval
Global dance heavyweight FISHER becomes the first artist to stage a major concert at Bay Oval – set to be the biggest party the Bay has ever seen.
UB40 FEATURING ALI CAMPBELL
February 7 — Bay Oval
A summer favourite, with Ali Campbell bringing the Red Red Wine and a stack of hits to Bay Oval, all wrapped in an easygoing festival feel.
BEAST OF A FEAST
February 28 — Soper Reserve
Tauranga’s not-so-typical beer, food and music festival returns, featuring Ladi6, Avalanche City and P-Money.
TOI TAURANGA ART GALLERY
Current exhibitions — Tauranga
The gallery has reopened with a fresh line-up of exhibitions from artists across Aotearoa, Australia and the Pacific. It’s definitely worth stopping in to see what’s new.
A story of past and present
Dean Flavell is restoring Tauranga’s heritage by bringing taonga Māori home, one treasure at a time.
Dean Flavell is restoring Tauranga’s heritage by bringing taonga Māori home, one treasure at a time.
words DEBBIE GRIFFITHS
For Dean Flavell, a decision in 2003 to accept the role of Poutiaki Māori for the Tauranga Heritage Collection was easy. He’d already recognised one of the taonga that would sit in the future Tauranga Museum as linked to his own ancestor, and wanted to ensure it was kept safe.
“We have the remnants of an ancestral meeting house called Tamapahore, which once stood at Karikari Point,” he says. “It belongs to Ngā Pōtiki and it hosted many renowned members of Māori society including King Mahuta, the third Māori King. It was heartbreaking to find the relic not properly cared for. There’s a better way to honour our ancestor and the skill that went into this carving.”
Dean has pieced together the story surrounding it, finding connections to our most turbulent time: the New Zealand land battles at Gate Pā, Te Ranga and the bush campaign in the late 1800s. Tamapahore wharenui was an example of Māori meeting houses that emerged after the beginning of the Kīngitanga movement.
“Māori had a lot of their lands confiscated, but on what was retained they built larger houses to accommodate community gatherings,” he explains. “I imagine there were a lot of things that local Māori needed to discuss, so it was a place of coming together to contemplate the past and the future.”
It was in the tiny eastern Bay of Plenty community of Nukuhou that Dean was raised by his grandfather who spoke f luent Te Reo. “Our road was gravel and there was one shop that sold saddles, clothing, milk, lollies, everything,” he recalls.
“Our elders would speak Māori amongst themselves and when we went to town they’d revert to English. I love that today the knowledge is broader. Even if it’s simply place names or greetings, it’s becoming normal to hear Te Reo and I have great talks with my Pakeha friends speaking Māori and English together.
After a stint in the military, Dean learned traditional carving techniques, taking charge of the work on a wharenui in Whanganui when he was just 20. He launched his own carving school there and later worked as an educator at the local museum.
“I moved into curating and exhibition design overseas, including a time at Osaka in Japan, and then came back to New Zealand to a letter on my desk asking if I’d come to Tauranga to work on a new museum for the region.”
That was 24 years ago and for Dean it was an opportunity to locate artefacts around the world to help tell the story of Tauranga Moana.
“There are key taonga in other institutions,” says Dean. “In 1987 we started the work to find them and we’ve been creating relationships with the museums that have them. Some are in Wellington and Auckland and there’s a kite from the voyage of Captain Cook in the British Museum. It’s huge and quite unique. We know it’s safe and one of the thoughts is to replicate it in some way.”
For Dean, the Taonga Māori Collection is to keep safe the taonga tuku iho (treasures from the ancestors) that embody cultural stories, traditions and histories and an acknowledgement of the people who are no longer with us.
“Their stories live on and we get to share them with future generations through the new Tauranga Museum,” he smiles. “Good things take time. It’s been a long journey, but I’m really excited about where we’ve landed.”
Bay of style: Local fashion, flair and creativity
The Bay has been a mecca for successful fashion designers for decades, and now the new Tauranga Museum is planning to showcase its creative history in a collection that’s dressed to impress.
The Bay has been a mecca for successful fashion designers for decades, and now the new Tauranga Museum is planning to showcase its creative history in a collection that’s dressed to impress.
words DEBBIE GRIFFITHS
From homemade psychedelic ’60s frocks to prototype shoes to swimwear that made waves worldwide – the Bay is home to innovative fashion that will be celebrated in Tauranga Museum when it opens in 2028.
“Our fashion collection will show the talent and stretch people’s ideas of what Tauranga is,” says curator Fiona Kean. “Our fashion industry doesn’t get as much focus as it should.”
In fact, there are a number of New Zealand brands – both past and present – that many don’t realise are local. Expozay burst onto the scene in the 1970s, within a decade becoming the first Kiwi swimwear label in the North American market.
“We have the largest Expozay collection in New Zealand that starts from the beginning with hand airbrushed bikinis through to pieces from the early ’90s. Then we leap forward to emroce, which is also groundbreaking and global.”
Expozay swimsuit, photographed by Karen Ishiguro, nzfashionmuseum.org.nz
Pāpāmoa-based emroce, by designer Emma La Rocca, is the only zero-waste swimwear brand in the world. “Her desire is to see the way clothing is manufactured change to be more sustainable,“ says Fiona. “She uses fabric made from recycled fishing nets and cuts it in a way that means there’s no waste. She also makes inclusive gender-neutral swimwear.”
There’s also a nod to Staxs that had 21 stores around the country, boutique shoe designer Chaos & Harmony, surf labels – like RPM and Lower – Nyne, Repertoire and Greerton-based Beverley Productions that’s been creating knitwear since 1962.
“We’ve got over 5000 textile related objects in the museum collection and a lot have been handmade by local women who have the skills and passion to look great, and make their own clothes,” says Fiona.
Among them, former Ōtūmoetai Intermediate home science teacher Ruth Espin who donated seven pieces before she passed away in 2019.
“Each dress represents a pivotal moment in her life; the one she wore when she got engaged, her wedding dress and the outfit she was wearing when she took her baby home from hospital.”
Some of the outfits were purchased at Hartley’s on The Strand. Those who grew up in Tauranga will have fond memories of their Lamson Cash Carrier System before the store closed in 1987.
“Nostalgia will be an important part of the museum experience and reminding people that they’re part of something bigger,” says Fiona. “There’s so much to share, we’ll be swapping out items regularly so it will be constantly changing. We’re very excited to showcase our fashion success stories.”