A story of past and present
Dean Flavell is restoring Tauranga’s heritage by bringing taonga Māori home, one treasure at a time.
words DEBBIE GRIFFITHS
For Dean Flavell, a decision in 2003 to accept the role of Poutiaki Māori for the Tauranga Heritage Collection was easy. He’d already recognised one of the taonga that would sit in the future Tauranga Museum as linked to his own ancestor, and wanted to ensure it was kept safe.
“We have the remnants of an ancestral meeting house called Tamapahore, which once stood at Karikari Point,” he says. “It belongs to Ngā Pōtiki and it hosted many renowned members of Māori society including King Mahuta, the third Māori King. It was heartbreaking to find the relic not properly cared for. There’s a better way to honour our ancestor and the skill that went into this carving.”
Dean has pieced together the story surrounding it, finding connections to our most turbulent time: the New Zealand land battles at Gate Pā, Te Ranga and the bush campaign in the late 1800s. Tamapahore wharenui was an example of Māori meeting houses that emerged after the beginning of the Kīngitanga movement.
“Māori had a lot of their lands confiscated, but on what was retained they built larger houses to accommodate community gatherings,” he explains. “I imagine there were a lot of things that local Māori needed to discuss, so it was a place of coming together to contemplate the past and the future.”
It was in the tiny eastern Bay of Plenty community of Nukuhou that Dean was raised by his grandfather who spoke f luent Te Reo. “Our road was gravel and there was one shop that sold saddles, clothing, milk, lollies, everything,” he recalls.
“Our elders would speak Māori amongst themselves and when we went to town they’d revert to English. I love that today the knowledge is broader. Even if it’s simply place names or greetings, it’s becoming normal to hear Te Reo and I have great talks with my Pakeha friends speaking Māori and English together.
After a stint in the military, Dean learned traditional carving techniques, taking charge of the work on a wharenui in Whanganui when he was just 20. He launched his own carving school there and later worked as an educator at the local museum.
“I moved into curating and exhibition design overseas, including a time at Osaka in Japan, and then came back to New Zealand to a letter on my desk asking if I’d come to Tauranga to work on a new museum for the region.”
That was 24 years ago and for Dean it was an opportunity to locate artefacts around the world to help tell the story of Tauranga Moana.
“There are key taonga in other institutions,” says Dean. “In 1987 we started the work to find them and we’ve been creating relationships with the museums that have them. Some are in Wellington and Auckland and there’s a kite from the voyage of Captain Cook in the British Museum. It’s huge and quite unique. We know it’s safe and one of the thoughts is to replicate it in some way.”
For Dean, the Taonga Māori Collection is to keep safe the taonga tuku iho (treasures from the ancestors) that embody cultural stories, traditions and histories and an acknowledgement of the people who are no longer with us.
“Their stories live on and we get to share them with future generations through the new Tauranga Museum,” he smiles. “Good things take time. It’s been a long journey, but I’m really excited about where we’ve landed.”
