Beat master
Meet Pāpāmoa’s Stan Bicknell – a world-class drummer, teacher, creator and total rhythm freak who has turned his skill into a way of life. He’s proud to admit his craft is his obsession, and if you’ve got sticks, he’s got something to teach you.
photos JESS BICKNELL + GR ACESCAPE PHOTOGRAPHY
Stan was one of just nine players selected from more than 6,200 worldwide to audition for Los Angeles rock legends PRIMUS – a band he’s idolised since he was 14. The call-up marks a serious career milestone for the 28-year drumming veteran known for his precision, discipline and obsession with pushing limits behind the kit.
How did you get into music?
I started drumming at 13. I’d been playing guitar for a couple of years, but my stepdad noticed I was always tapping and suggested I give drums a go. The next day, I sat down at the school kit at Taupō Intermediate and gave it a crack... and honestly, it did not click. It wasn’t until about six months later that I picked the sticks up again and actually connected with it, and from that moment, I was hooked.
What do you love about drumming?
Honestly, I can’t say it any better than this – I’m absolutely obsessed. Even after 28 years behind the kit, I love it more than ever. I work on my craft daily and I’m constantly exploring new ways to push my playing forward. I’ve got a clear vision of the drummer I want to become in this lifetime, and every day is about chipping away at that.
Who/what influences and/or inspires you?
When it comes to drum influences, the list’s as long as my arm. Some old school greats like Buddy Rich, Tony Williams, and Vinnie Colaiuta. Some new school legends too, like Tomas Haake, Jon Theodore, Chris Coleman... just to name a few. As for what inspires me? Everything. Books, exercise, writing, time with mates, music, teaching – it all feeds the fire. I do my best to keep my mind and body fresh so I can show up fully, both on and off the kit.
Who are some of the well-known musicians you’ve played with in the past?
Here in NZ, I’ve played with Kimbra, Georgia Lines, Tiki Taane, Black Comet (with Laughton Kora) and Shapeshifter.
In Australia, The Bennie’s, Miami Horror, Tonight Alive, and Ecca Vandal. In the US, Natasha Bedingfield and Watsky.
I was also recently invited to audition for LA-based alternative rock band PRIMUS. Out of 6,200 submissions, I was one of just nine drummers selected. An incredible experience, to say the least.
What has been your favourite gig so far?
If we’re talking gigs, I’d say my most recent one with Natasha Bedingfield stands out. It’s heavy in the pocket, which basically means tight, locked-in groove. I love that, but there’s also room to stretch out and have some fun. She’s an absolute pro and a total pleasure to play with.
As for drumming experiences, getting invited out to Drumeo in Vancouver was huge. Jared Falk (the CEO) flew me over to film some courses and share my approach. That was a real milestone.
How did you get into teaching and what ages do you teach?
I’ve been teaching for 25 years (playing for 28), and it was a natural evolution as my skills grew.
Over the years, I’ve taught all levels and ages, but these days I mostly work with intermediate to advanced players – teachers, long-time band drummers, and experienced players looking to level up.
My focus is on the areas that really interest me: mechanics, technique and facility around the kit. I also place a big emphasis on looking after yourself off the drums, because it’s all connected.
What are your plans for the future?
About 18 months ago, I launched MasterMindDrummer.com – a platform where I offer drum courses and coaching programs to drummers all around the world. The concept is simple: develop the person alongside the player.
Right now, there are seven courses available, covering everything from Tuning and Mechanics to Single Kick, Chops and more.
The goal moving forward is to keep growing the site and the brand, while continuing to work on my own craft daily, sharing my journey, creating content and hopefully playing with more incredible international artists along the way.